Posts Tagged ‘Massacre Records’

Feanor – Power of the Chosen One

Feanor is an Argentinian power metal band, with three prior albums.  The band has been kicking the power metal glory around since the 90’s and their last album We Are Heavy Metal – well how much more metal can you get from that?  It’s a damn fine piece of power metal too.  Catchy and well […]

Voracious Scourge – In Death

I was a big fan of the 2018 debut ep Our Demise, by Voracious Scourge, in 2018.  Originally planned just to release an ep, Jason McIntyre, pursued the thought of wanting to release a full length and here we are.  Mike Smith, from Suffocation fame, again lays down the drums and Aad Kloosterwaard continuing to […]

Sinister – Deformation of the Holy Realm

Christ this is the 13th full-length Sinister album.  I really don’t count Dark Memorials as a 14th album because that was an album made up of cover songs. I’ve been a long time fan of the band ever since I heard the debut Cross the Styx and first saw them on tour in support of […]

Sinister – Syncretism

Ever since Sinister’s killer comeback album, Afterburner in 2006, the band has literally been on fire and playing with as much purpose as when they first began slaughtering listeners in the early 90’s. Syncretism is the band’s 12th full-length. I won’t include the Dark Memorials album, as that is a covers album. Ok, let’s cut […]

Hatriot – Heroes of Origin

‘Ole Steve “Zetro” Souza shot himself in the foot right out of the gate with this one, doing a full-court press to the press that he would re-join Exodus in a heartbeat, all the while trying to get the very stupidly-named Hatriot off the ground. This boneheaded move essentially sucked any sort of validity out […]

Forsaken, The – Beyond Redemption

For those that are unfamiliar with The Forsaken – the first and foremost thing you have to know, before throwing this one on, is that they’re very traditionally Swedish in sound. They’re the melodic death metal band rather than the technical and grindy godzilla. That being said, they sure as hell know how to jampack […]

Zombie Inc. – A Dreadful Decease

What better way to celebrate Valentine’s Day than with a good slab of old school death metal? The debut album for Zombie Inc. was released to the world on February 14, and I am sure it was the soundtrack for many a candlelight dinner. Well ok probably not, but it definitely reeks of ironic humor […]

Hate Squad – Katharsis

Their press info lists them as a metalcore band, but to lump these Germans into such an oft-hated genre does a bit of a disservice. These Germans play a form of thrash/death/punk with a large dose of early Napalm Death for good measure. So if you do want to put them in the metalcore genre, […]

Paragon – Screenslaves

Sadly, albums released at the end of a year usually tempt a cruel fate of being left out of the majority of top lists, which is sometimes nothing else but a gross injustice towards some exceptional pieces of value. Thus, Screenslaves, the ninth full-length release from Hamburg-based metallers Paragon is unconditionally one of the nominees […]

Andromeda – The Immunity Zone

Failing to catch me upon a couple of initial spins, The Immunity Zone, a fourth release from Sweden’s Progressive Metal eccentrics Andromeda, finally lured me into its trap by means of its huge instrumental sections and extremely impressive songwriting. I always thought that one of the principal attributes of Andromeda’s music was its covert ability […]

Metalium – Nothing to Undo

Whatever it was that I once liked about Metalium has apparently left my system. I don’t dislike the band, it’s more like a pleasant wallpaper pattern to me these days. While it’s in the CD player, I might remark on how nice it sounds, but once I’m no longer listening to it, I quickly forget […]

Steel Attack – Diabolic Symphony

Though this is the fifth outing from the Swedish power metal act Steel Attack, it’s my introduction to them, and my first impression is pretty good. Diabolic Symphony features some nice, cutting power/traditional metal that’s not overburdened with keyboard flourishes or overbearing vocal harmonies. Singer Ronny Hemlin reminds me a little of Tim Owens (in […]