Posts Tagged ‘Review’
Posted in Frontpage Feature, Reviews, Reviews › H on Monday, February 25th, 2019
England’s Hecate Enthroned is largely known for being the band that Former Cradle of Filth bassist/vocalist Jon Kennedy formed after departing Cradle of Filth before they were huge rock stars (he actually appears on the original version of Dusk and Her Embrace, recently released as The Original sin) , and subsequently and unabashedly ripping off Cradle […]
Tags: 2019, E.Thomas, Hecate Enthroned, M-Theory Audio, Review, Symphonic Black Metal
Posted in Reviews, Reviews › D on Friday, February 22nd, 2019
I love Atlanta, Georgia’s doom n’ gloom masters Dead Register quite a metric ton. Not only is the music powerful but if you just read the trio’s bandcamp bio you know that they’ve got a wicked, snarly smile going on behind all of their malice in the chalice bass riffs, heart-reaping vocals and molten percussive […]
Tags: 2019, AVR/Throne Records, Dead Register, Doom Metal, Jay S, Review, Sludge Metal
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, February 18th, 2019
After 3 albums with Finland’s quick rising power metal act Battle Beast, guitarist Anton Kabanen had a bit of an acrimonious departure from the band but quickly formed his own band Beast In Black, then really didn’t hide the fact its basically the same band, with the same sound, but somehow even cheesier and catchier. They […]
Tags: 2019, Beast In Black, E.Thomas, Nuclear Blast Records, Power Metal, Review
Posted in Reviews, Reviews › O on Friday, February 15th, 2019
From newish German label that already brought us fine releases by Demonbreed, Carnal Tomb, and Sentient Horror in their short lifespan, comes another excellent slab of buzz saw laden, HM 2 drenched, Swedish styled death metal with the debut from Italy’s Organic. Fans of the genre will probably be ordering this as I speak, but yeah this is a […]
Tags: 2019, Death Metal, E.Thomas, Organic, Review, Testimony Records
Posted in Reviews, Reviews › M on Wednesday, February 13th, 2019
Named after a faction from the popular Elder Scrolls video game series which I’m not very familiar with, English doom overloads Morag Tong follow-up their EP debut Through Clouded Time by dropping a lysergic, wandering slab of doom with hazy tones, psychedelic melody and a plummeting sludgy aggression seeping into their unholy pounding. Faint whiffs […]
Tags: 2019, Doom Metal, Jay S, Morag Tong, Review, Self-Released, Stoner Metal
Posted in Frontpage Feature, Reviews, Reviews › U on Monday, February 11th, 2019
Cripes- I have not reviewed an Unleashed album since 2006s Midvinterblot, and frankly due to a really awkward interview with founder Jonny Hedlund after I ripped 2002s Hells Unleashed, haven’t really given the band too much attention, despite an apparent solid run of albums since then in Hammer Battalion, As Yggdrasil Trembles, Odalheim, Dawn of the Nine. So, […]
Tags: 2019, Death Metal, E.Thomas, Napalm Records, Review, Unleashed, Viking/Folk Metal
Posted in Reviews, Reviews › W on Friday, February 8th, 2019
It’s been a fair while since a ‘real’ ( I use that term due to the crossover between death metal and deathcore in bands like Ingested, Fit For For an Autopsy, Lorna Shore and Organectomy and such) deathcore record tickle my fancy, probably something in 2017 or early 2018 (maybe Lorna Shore‘s Flesh Coffin?). But here is the late […]
Tags: 2019, Deathcore, E.Thomas, Review, Self-Released, When Plagues Collide
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, February 4th, 2019
Germany’s now defunct Deathrow would have been classified as the second-tier thrash wave when their brand of thrash metal erupted in the mid-80’s. Their debut album Riders of Doom was first released as Satan’s Gift and eventually as Riders of Doom that same year. Two different album covers, however most would agree the Riders of […]
Tags: 2019, Deathrow, Frank Rini, Noise Records, Reissue, Review
Posted in Reviews, Reviews › D on Friday, February 1st, 2019
Germany’s Demonbreed hit the heavy home run on their 2016 debut album, Where Gods Come to Die. Bludgeoning Swedish inspired death metal heaviness and a well-written album through and through. So while the underground waits with bated breath for album #2, Demonbreed provides a little taste with an ep in the form of Hunting Heretics. […]
Tags: 2018, 2019, Death Metal, Demonbreed, Frank Rini, Review, Testimony Records
Posted in Reviews, Reviews › B on Thursday, January 31st, 2019
As we plunge into 2019, the often patchy January release schedule provides ample opportunity to delve into the overlooked gems of 2018, particularly those that dropped during December, generally a month of slim returns. However, Sulphur Aeon and Beaten to Death headed the bands bucking the trend of end of year mediocrity. Another band of […]
Tags: 2019, Blade of Horus, Death Metal, Lacerated Enemy Records, Luke Saunders, Review
Posted in Reviews, Reviews › D on Wednesday, January 30th, 2019
I’m hearing tons of sick underground music from India lately which is often brought to my attention from the fellas at Qabar PR (cheers Hassan and Zoheb) as well the madman Kunal from Transcending Obscurity’s main HQ. All I can say is keep ‘em coming guys because I’m getting turned onto a metric fuckton of […]
Tags: 2019, Dirge, Jay S, Review, Self-Released, Sludge Metal
Posted in Reviews, Reviews › I on Tuesday, January 29th, 2019
Apparently a lot has happened in the 12 or so years since reviewed this Polish band’s debut, Buried in Between, a decent At The Gates ish metalcore/melodeath record. There’s been a lineup shuffle, and more importantly over the band’s 3 albums since the debut, these guys have evolved into solid death/black metal act and now […]
Tags: 2018, Black Metal, E.Thomas, In Twilight's Embrace, Left Hand Sounds, Review
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, January 28th, 2019
For me, the best Anthrax album is Among the Living from 1987. However, Anthrax wasted little time with getting their fourth full-length released with the 1988, State of Euphoria record. Anthrax had already firmly established themselves with their patented NY stylized crunch thrash metal guitar tone and were already touring worldwide. The airing of the […]
Tags: 2019, Anthrax, Frank Rini, Island Records, Review
Posted in Reviews › F, Reviews › N on Friday, January 25th, 2019
An absolutely devastating split from India’s experimental crust grinders False Flag (a perennial favorite in the Snyder household) and Nepal’s doom-burnt thrash punks Neck Deep in Filth that gives you 5 tracks of pain when all’s said and done, without any filler getting in the way. Anyone that was around for the heyday of freaked […]
Tags: 2019, Crust, False Flag, Jay S, Neck Deep in Filth, Review, Self-Released
Posted in Reviews, Reviews › M on Thursday, January 24th, 2019
Good lord- talk about an obscure blast from the past. I vaguely remember purchasing this Swdish band’s debut EP Alienor back in 1993 as a blind purchase, and kind digging it. It was a more progressive slightly different take on death metal back then, but 2 albums later in 1994 and 1996 the band disappeared […]
Tags: 2019, E.Thomas, Melodic Death Metal, Orchestrated Misery Recordings, Review
Posted in Reviews, Reviews › M on Wednesday, January 23rd, 2019
Last year I had this unique thing happen around this time of year where The New Morbid Angel album came out and then right around the time of hearing it I discovered the Polish band Redemptor. I felt it was rather unique that releases that time of year within the same genre had such similar […]
Tags: 2018, Comatose Records, Death Metal, Mass Infection, Nick K, Review
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, January 21st, 2019
Ever since I met these, then kids back in 2008 at a Summer Slaughter (or maybe Sounds of the Underground?) show, I’ve enjoyed watching them stick out the genre saturation of proggy deathcore djent whatever ever core that blew up in the mid 00s (“Abstract Art” from the debut The New Reign is still cool as fuck over […]
Tags: 2019, Born of Osiris, E.Thomas, Review, Sumerian Records
Posted in Reviews, Reviews › L on Friday, January 18th, 2019
I’ve heard of Lividity, veterans of the Chicago/Illinois brutal death metal scene since the mid 90s, but have not really heard them or owned any of their albums. Ive seen them lumped in with the likes of Gorgasm to Cannibal Corpse and of course Deaden and Broken Hope, and after hearing the band’s 6th album, Perveseverance, […]
Tags: 2019, Brutal Death Metal, E.Thomas, Lividity, Metal Age Productions, Review
Posted in Reviews, Reviews › I on Thursday, January 17th, 2019
Hot damn! I like surprises (at least good ones) just as much as the next guy or gal, but I have to say that some of my most favorite surprises are when I find out a band I really like has released a new album right under my nose without me knowing anything about it. […]
Tags: 2019, Black Metal, Debemur Morti Productions, Infestus, Kristofor Allred, Review
Posted in Reviews, Reviews › G on Wednesday, January 16th, 2019
Pummeling old school hardcore meets punk straight from the genre’s birthzone (Long Island, NY) is what The Great Lie offers up on their debut EP, All Roads Lead to Where You Stand. Featuring the exclamatory holler of John Wilkes Booth’s main set of pipes Kerry Merkle, a thick rhythm section and a nasty twin guitar […]
Tags: 2019, Jay S, Review, Self-Released, Sludge Metal, The Great Lie
Posted in Reviews, Reviews › P on Tuesday, January 15th, 2019
To me, the career path of Australia’s Psycroptic has somewhat mirrored Poland’s Decapitated: 7 albums in, early career highlighted by a couple of critically acclaimed technical death metal albums, then both had a divisive vocalist change with Psycroptic moving to the Jason Pepiatt and Decapitated moving from Sauron to Cowan then a slight style shift into less tech death metal realms. Those familiar […]
Tags: 2019, E.Thomas, Prosthetic Records, Psycroptic, Review, Technical Death Metal
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, January 14th, 2019
Creating anything is hard, even if you’re a master of your craft. I don’t care if you’re Spielberg, Scorsese, Pixar, or Stephen King. You still need to take your raw, half-formed idea, and then use all of your skill, experience, judgment, and persistence to shape it into something that measures up to or surpasses your […]
Tags: 2019, Jordan Itkowitz, Melodic Death Metal, Review, Soilwork
Posted in Reviews, Reviews › N on Friday, January 11th, 2019
Earlier this year I regrettably slept on the sophomore LP from Denver outfit Necropanther. Now the impressive young band has recently dropped the first of a planned series of EP’s, each written exclusively by an individual band member, beginning with Oppression, a three song effort penned by bassist Marcus Corich. I also thought it would […]
Tags: 2019, Luke Saunders, Melodic Death Metal, Necropanther, Review, Self-Released
Posted in Reviews, Reviews › G on Thursday, January 10th, 2019
I’ll go ahead and assume that Germany’s Godskill is named after killing Gods, and not the skill said God possesses. Anyway, what we have here is a late 2018 release that is a pretty solid second album from these burly melodic death metalers. Imbuing the chunky Danish scene akin to Illdisposed, Corpus Mortale, Dawn of Disease and […]
Tags: 2018, Death Metal, E.Thomas, Godskill, MDD Records, Melodic Death Metal, Review
Posted in Reviews, Reviews › A on Wednesday, January 9th, 2019
Plowing their way through England’s Midlands since ’05, The Atrocity Exhibit provides a drippy, gooey take on punk-riddled sludge-grind that feels distinctly, well, English. There’s a scuzzy take on this genre here that could only come from the UK and it’s a sound purveyed by killer fairly recent bands like Among the Missing, Mistress and […]
Tags: 2019, Death Metal, Grindcore, Jay S, Review, The Atrocity Exhibit, Wooaaargh Records