Metal Blade has a knack for finding highly touted, unknown (mostly metalcore) bands that garnered considerable buzz with debut records and signing them for their subsequent efforts; The Black Dahlia Murder, Unearth, As I Lay Dying, The Red Chord, Into The Moat, Premonitions of War, Born From Pain, etc. And now they have done it […]

Filthy, bristling, dirty, crusty punk/hardcore/death ‘n’ roll from Canada with hooded members of In Dying Days, Ire, The Black Hand, Cobra Noir is a no brainer for fans of Cursed. I’ll get straight to it kids; After two venomous but rather predictable tracks “Lazarus” and “The Treatment”, Cobra Noir delivers the thunderously rocking “Eucharist”, a […]

I hope Abacus Recordings, Lifeforce, Nuclear Blast and Metal Blade are reading this because considering the recent releases by Embrace the End, Animosity and All Shall Perish, California’s rumblemasters Antagony are every bit as good within the confines of the so called death-core genre. Most will groan at yet another mix of death metal lurch […]

Goddamn this is good; swelling, caustic yet melodic post hardcore that drips with rending, paranoid intensity at every chord shift. Imagine the biting, jangly discordance of Circle Takes the Square mixed with the ambient, simplistic note progressions and pulse of Amanda Woodward (so then by default also Neurosis). Throw in some painfully screamed female vocals […]

I’d seen lots of positive press about this New Jersey quintet featuring former members of Sworn Enemy, One 4 One and Train of Thought, but I never knew such a hardcore underground, respected lineup could be responsible for this slab of commercialized, mainstream drivel. If you took New York Hardcore and put it repeatedly through […]

First, big props to Necroharmonic to picking up the ball that Satanic Perversions dropped by getting this long sought after re-issue out. Secondly, shame on all you other labels for not jumping the gun and getting this out before now. For those that don’t know, Gorement was one of the bands that spawned from the […]

Canada has done it again. After the initial invasion of Cryptopsy Kataklysm and Gorguts laid the ground work of musical insanity, bands like Neuraxis, Quo Vadis, Ion Dissonance and Despised Icon to continue to pummel these shores with ridicoulously complex metal. Add Beneath the Massacre to the list of impressive Canadian bands that can rip […]

My only other exposure to Eastern European metalcore is Poland’s rather excellent Faust Again, but Croatia’s Amok have also proved to be ample bearers of the metalcore flag with a short but solid and crisp debut album that’s firmly rooted in The Black Dahlia Murder, Darkest Hour and Unearth.With the usual flaws of a young […]

I like Obituary, really I do. And I wanted to like their reunion album after an 8-year layoff, really I did. I happen to think that Cause of Death is arguably one of the top five death metal albums ever, but this album (as well as the subsequent albums) only serves to cement one fact; […]

I don’t go to many shows being that I live in rural Central Missouri. So when the mighty Origin somehow got booked to play 30 minutes from my hometown in Columbia, Missouri I had to go. Not only for this interview but to witness arguably the most intense band around in a live setting. I was curious to see how the technical maelstrom of Origin translated live. Needless to say, even with a pain faced, triggerless James King, limited space and a relatively small (surprisingly female heavy) crowd, watching the eclectic racial mix of Origin perform live is a sight to behold. Particularly noteworthy are diminutive but always grinning bassist Mike Flores and guitarist Paul Ryan who literally mesmerized me with their fingers. After metalcore openers River Runs Red and local death metal act Omichron, I caught up with Paul Ryan to dig deeper into Origin…..

Though most of you may groan, for me, 2005 has been a stellar year for the so called “death-core” genre (I use the term broadly to describe music that mixes death metal, grindcore and hardcore/metalcore); Embrace the End, The Taste of Blood, The Number 12 Looks Like You, Ion Dissonance, The Red Chord, Antagony, Animosity, […]

Truth be told Atreyu, is the meekest of the Hot Topic ‘metalcore’ triumvirate (rounded out by Avenged Sevenfold and Bleeding Through), being easily more accessible than their peers but having just enough metal seeping into their punky, hardcore laced, catchy visage to be more respectable than Silverstein or Thrice. Still, Atreyu and their ilk remain […]

Boy did Victory Records need this. Bayside? Hawthorne Heights? The Black Maria? Give me a break. Not only have Victory broke their heinous un-metal streak with a killer slab of furiously melodic metal, Undoing Ruin is one the first anticipated US ‘core’ albums of the year that actually improves on its predecessor as the likes […]

Poor old Metal Blade, they can’t catch break. Hoping to bottle the magic of their prior albums, they signed Unearth, The Red Chord and As I Lay Dying, in hopes of riding the hype their debut albums garnered in the metalcore scene. Alas though both, The Oncoming Storm and Clients were over hyped and under […]

Discounting Moonsorrow’s (for me, mildly disappointing) album, its been a pretty barren year for great Viking metal, with even a few rotten eggs thrown in (fellow Germans Iuvenes, Suidakra), so when I finally got my hands on this Germans band’s highly regarded album, I was giddy, boy was it worth the wait. Part Ensiferum, part […]

The French seem to have found a niche with expansive avant-garde post hard-core noise with the likes of Comity, Amanda Woodward, Bumblebees, etc, but this has to stand out as the best yet. This is soooo damn good folks that I’m not sure simple words can convey its brilliance. With feet firmly planted in the […]

While I enjoy a certain few instrumental bands such as Pelican, Keelhaul, Electro Quarterstaff and Tides I generally like my music with vocals. But Trephine presents a rather interesting take on instrumental mayhem, with a rather eclectic style of instrumental metal. Forsaking the norm of expansive atmospheric droning, Trephine, like Dysrythmia, takes a more spastic, […]

Few bands can claim to have the recent adversity of Soilent Green (the tragic death of bassist Scott Williams), and it shows on this album as Soilent Green is as angry as ever. Admittedly, Soilent Green’s last album A Deleted Symphony for the Beaten Down, had a ‘samey’ quality about you just had to enjoy […]

After a four year hiatus, Philly’s All Else Failed return with a revamped line-up and a renewed energy to follow up their Archetype album.  And while certainly a solid album of metallic discordant, chaos core and hints of other more commercial ingredients, I’m not quite sure there’s room for All Else Failed at the top. […]

I’ll admit it. This was easily one of my most anticipated released for 2005, and upon looking at the cosmic album artwork and equally celestial song titles, I had some pangs of disappointment as I braced for a cyber/space metal style change from one of my favorite bands. However, upon hitting play and being greeted […]

Wow, this is good. Formerly known as Natt, a gothic metal band with female vocals, this Norwegian band is now a far more impressive beast with a darkly progressive and avant-garde black metal lean that imbues visions of Arcturus, Solefald and Lunaris.The first thing you notice when “Joyless Trance of Winter” fires up is the […]

It’s rare I make any personal connections to any bands in this business as I deal mainly with PR and label folks. I may do an interview with a band, but that’s the last time I generally talk to them ever again. With a few exceptions (Tomer Pink from Subterranean Masquerade. Lord K from The […]

“Napalm Death is pissed off, Long live Napalm Death!”. I must admit, I’ve never really been a huge Napalm Death fan other than Harmony Corruption. I only own their early catalogue to earn scene points and frankly after Fear, Emptiness, Despair, Diatribes and Inside the Torn Apart efforts, I gave up on them all together. […]

I’m always uncomfortable reviewing re-released ‘lost classics’, especially when I never heard it first time around. I had to dig up this Quebec thrash band’s biography to find out who they were, but apparently this lot was hot shit in the Canadian Metal scene but due to bad label distribution, this 1986 album never truly […]

Germany’s Fear My Thoughts complete they shift from rumbling metalcore to melodic death metal that was hinted at on last years ambitious The Great Collapse, and while Hell Sweet Hell is a solid album, it just doesn’t leap out at me and I still prefer the band’s more extroverted stylings of V.I.T.R.I.O.L. That being said, […]