As a listener and certainly as a reviewer, there’s always a certain point when you are checking out a potential album where you say to yourself “Nope, I don’t like this” and move on ” or say “Yep, I’m digging this” and keep listening. On Seraphic Punishment, the debut album (though they have been releasing […]

Listen, when it comes to power metal, like my porn tastes, I have very specific, odd niches that I enjoy. For some reason, I skip right past the ‘normal’ power metal like Primal Fear, Firewind, Hammerfall, Iced Earth and such and dive headfirst in with unfettered glee into the uber cheesiest, symphonic cosplay-loving, LARPing, cape-wearing […]

I grabbed the debut full-length album from Barcelona’s Mankind Grief as Lacerated Enemy has released a couple of solid blackened deathcore releases already in 2022 ( Hurakan’s Via Eterna and Downfall of Mankind‘s Vile Birth) and Monarch had a song on it called “LV-426”, so I was hoping for a full-on Alien/Aliens themed album. Alas, […]

Now THAT is an album cover. T-shirt immediately purchased. But how is the music? Well, Lacerated Enemy has taken a break from symphonic/blackened deathcore and delivered us a fucking monster of a slam/brutal death metal record from France’s Kanine. And if you thought Organectomy (whose Nail Below Nail releases the same day as Karnage) or […]

You have to admire the balls on the PR company that sent out the email for the promos for Imperious, the debut album from Colorado duo Inexorable…”For Fans Of: Dying Fetus, In Flames, Dark Tranquillity, Dimmu Borgir and Children of Bodom“. Fucking hell!!!!!!- Sign me up! Admittedly, the bait and switch worked on me. Hook, […]

Not even a year after releasing the solid Verses of Regicide album, Aussie musician, ‘Nightwolf’ and his prolific project Runespell is back with a fine EP. Sentinels of Time is with a 4 song, half-hour or so of 90s second wave-inspired black metal that continues the influences that range from Abigor, Satyricon, Immortal, and such […]

Though not quite the tech-death onslaught that 2021 was, 2022 has still had some stellar releases from the likes of Aethereus, Inanimate Existence and GreyLotus. And while GreyLotus’ Dawnfall might be my top contender right now, Exocrine’s fifth album is certainly right up there as well. France’s Exocrine got on my radar with 2020s Maelstrom, […]

California’s Inanimate Existence has been releasing quality albums for a few years now, but never seems to quite break into the discussion of absolute top-tier tech death with say, First Fragment, Gorod, Obscura, and such. Even when they had Riley McShane (Continuum, Alleageaon) in their ranks back in 2014, they were juuuuuust on that cusp. […]

So a handful of excellent blackened/symphonic deathcore (or whatever you want to call it) releases have come out in 2022 to basically keep fans satiated until Lorna Shore drop Pain Remains later this year; Shadow of Intent, Hurakan, Downfall of Mankind, Worm Shepherd (who will somehow be releasing a second album later this year…) to […]

Here is yet another project from the mind of Matthew Schott (listed here as ‘Repulsive Dirtnap Casket Crusher’) with the help of some other mysteriously unknown figures (Filth Esophagus Vacuum: vocals, SixSixSix Chambers of Rotten Mold: guitars/leads,  Four Filthy Shelves of Putrid Decay: bass), to go along with Valdur, Oreamnos and Sxuperion. And what we […]

First off, hats off to Alestorm for the whole Iron Maiden, Seventh Son of a Seventh Son homage/parody for their very own seventh album. Well played lads. Second, this is an Alestorm album, so by now, you know what you are getting, especially as the band has really locked into a sort of pirate/party metal […]

The last time I heard Alabama’s Writhing Shadows, its was when I reviewed a group of cassettes from then fledgling label, Gurgling Gore, that included featured Wharflurch and Seep. Well, both the label and band has been productive since then with numerous cassette releases, with Writhing Shadows having released a split, an EP, a single, […]

Italy’s premier Dwarven-themed power metallers are back with album number 5, and although I only discovered them after 2017s Stonehymn, (where they truly leaned into the Dwarven imagery and themes), they have been one of my favorite power metal bands since. 2019s Wintersaga brought us the youtube hit and earworm “Diggy Hole”, (sitting at 34 […]

I’m not quite sure that to make of Bellgrave’s Back As King. The internet tells me this German veteran act started as a doom/death band back in the early 00s and then turned onto a sort of hard rock death/doom band with some still sort of gravelly semi death metal vocals (courtesy of Danny Hoff, […]

It seems like forever ago when Sweden’s Soreption was a contender for my 2014 album of the year with Engineering the Void. The perfect blend of stuttering Meshuggah syncopation and tech death wizardry as well as sudden bursts of orchestral elements just hit m perfectly. However, the 2018 follow up, Monument of the End, didn’t […]

I don’t think there is any doubt that the first three albums from Entrails,  2010s Tales From the Morgue, 20011s The Tomb Awaits, and possibly the band’s 2013 Metal Blade debut, Raging Death are the pinnacle of the Swedish death metal revival. However, subsequent albums Obliteration, World Inferno and Rise of the Reaper didn’t quite […]

Detroit’s death/doom mongers Temple of Void has parlayed 3 solid albums (notably the last 2 efforts,  2017s Lords of Death and 2020s The World That Was on Shadow Kingdom Records) into a deal with heavyweight label Relapse Records. And as you’d expect on a jump to the ‘majors’, the band has upped the ante, but […]

Question: name a Swedish death metal band that has been around for over 20 years, and has released 14 consistently good albums in that time span? Chances are you were not thinking of The Project Hate MCMXCIX, the brainchild of one Lord K Phillipson, a gentleman whom I have conserved with over the internet over the years since the third album, Hate, Dominate, Congregate, Eliminate. His supporting cast has changed over the years (though he has been finally locked into a stable group of hired guns for a while now), but one thing remains; the absolutely monstrous albums he and his troupe kicks out.

And what makes it even more impressive is that the last 6 albums have been donation funded, paid for by fans of the project, via ‘donation experiments’ whereby fans can donate money, and upon a certain amount being reached, he commences assembling his musical avengers and recording the album and sends those results digitally to those that donated. There is even a limited CD run if the fans, again want to pay for the whole CD-making process.

Sharing 3/5 of its members with new, very popular deathcore act Crown Magnetar, you’d be forgiven for simply assuming Detroit’s And Hell Followed With was a new, flash in the pan band that sounds exactly like Crown Magnetar. And they do play deathcore, so you’d be partially correct. However, let’s not forget that AHFW were […]

I’m surprised how low profile a release from a band comprised of death metal legend Chris Reifert (Autopsy, ex Abscess, ex The Ravenous) and his new Autopsy bass player, Greg Wilkinson (Brainoil, Deathgrave, ex Graves at Sea) has been. Even for Peaceville. I wouldn’t have even heard of this project if it wasn’t for a […]

I think we can all agree that Willowtip has been one of the most consistently reliable US-based extreme metal labels around since they kicked out the Creation is Crucifixion/Fate of Icarus split back in 1998. From legendary bands like Rune, Watchmaker, Defeated Sanity, and Impaled, to recent bands like Hath, Cathexis, Contrarian and Ominous Ruin, […]

I was just recently randomly listening to  Unsane, Insane, and Mentally Deranged, the debut album from Sweden’s Murder Squad, an early 00s supergroup featuring members of Grave, Entombed and Merciless with a guest appearance from Autopsy’s very own Chris Reifert. And I thought to myself, ‘Man. I have not heard a homage to Autopsy delivered […]

If you consider yourself an Emperor fan, there are 2 releases this spring/summer of 2022, that you need to be aware of. If you are a fan of the more technical,  latter, Prometheus, IX Equilibrium era stuff, then the upcoming release from Sweden’s, Katharos, Of Lineages Long Forgotten, will be right up your alley. However, […]

Following up on 2020s excellent second album, Eisenzeit, Germany’s war-mongering death metal cohorts Scalpture (I’m still not sure what a Scalpture is…) return with album number 3, and boy is it a scorcher. Continuing the band’s war-obsessed themes and sound that’s part Hail of Bullets, part Asphyx (especially in the vocal department), and part Bolt […]

France’s Hurakan (the Mayan god of wind, storm, and fire?) has apparently undergone a bit of rebirth from their first two more brutal death metal/slamming death/tech death albums, which feature songs titles like “Brutal Slamming Shit”, “Intergalactic Moo Moo Imperator”, “Xenometh” and “Transdimensional Whorehouse Spaceship”. They have changed logos, and now jumped on the more […]