Posts Tagged ‘Review’
Posted in Reviews, Reviews › M on Friday, February 18th, 2022
Man… now that is an album cover. In the annals of heavy metal/extreme music, the writings of JRR Tolkien have long resided in largely black metal (Summoning), power metal (Blind Guardian), ‘garb-core’ (Battlelore) and even death metal (Khazaddum). But what the world was clearly lacking was some Tolkien-based, technical, blackened deathcore. Well, here comes Washington […]
Tags: 2022, Deathcore, Erik T, Mines of Moria, Reality Fade, Review, Technical Death Metal
Posted in Reviews, Reviews › A on Wednesday, February 16th, 2022
2022, comin’ in HAWT. You know it’s true because of the way I spelled it. I already have 3-5 albums which are sure year end contenders and I’m writing this sentence on the last day of January. I’m not one to complain about an embarrassingly high amount of excellent metal, but it’s already been difficult […]
Tags: 2022, Abhoria, Black Metal, J Mays, Prosthetic Records, Review
Posted in Reviews, Reviews › A on Tuesday, February 15th, 2022
So after an absolutely ridiculously good year for tech-death in 2021 with the likes of First Fragment, Obsidian I, Obscura, Hannes Grossman, Inferi, Stortregn, Alustrium and others, it took exactly one month for 2022 to see its first stellar tech-death record. Leiden (suffer or endure?) is the second album from this Tacoma, Washington act who […]
Tags: 2020, Aethereus, Erik T, Review, Technical Death Metal, The Artisan Era
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, February 14th, 2022
Holy crappers- Acts of God is Immolation’s eleventh album. Man, I feel like time has flown right by me. It seems like only yesterday I was at Spark’s on Long Island, NY watching them headline once Dawn of Possession was released. I remember speaking with the entire band, buying merch. I would bring said DOP […]
Tags: 2022, Death Metal, Frank Rini, Immolation, Nuclear Blast Records, Review
Posted in Reviews, Reviews › H on Thursday, February 10th, 2022
I do not need music to help me achieve a depressed state, Hangman’s Chair, okay? I do very well with that as my default, thank you very much. However, if you’re unlike me (for your own sake, let’s hope), maybe you just need that nudge or like to feel miserable sometimes. If so, A Loner, […]
Tags: 2022, Doom Metal, Hangman's Chair, J Mays, Nuclear Blast Records, Review, Stoner Metal
Posted in Reviews, Reviews › V on Wednesday, February 9th, 2022
Germany’s Vorga burst into the scene about 6 years ago and released an EP, but Striving Toward Oblivion is their debut full length album and showcases a trailblazing style of black metal. Opening this 8 song 45 minute album is “Starless Sky” and what an opening ripper of a lead off song. Massive blasting equipped with […]
Tags: 2022, Atmospheric Black Metal, Frank Rini, Review, Transcending Obscurity Records, Vorga
Posted in Reviews, Reviews › W on Tuesday, February 8th, 2022
I try and keep myself open to covering things that normally don’t float my boat, hence me taking a break from deathcore and technical death metal to take stab at the third album from the UK’S black/crust act Wolfbastard. But they had a couple of things going for them; ‘Wolf’ and ‘Bastard’ are two of […]
Tags: 2022, Clobber Records, Erik T, Review, Wolfbastard
Posted in Reviews, Reviews › M on Thursday, February 3rd, 2022
If you have the balls to say “chilling-yet-breathtaking ruminations harken to the golden days of melodic, nature-inspired black metal, back during the mid ’90s. Names invoked include old Borknagar, Kvist, Arckanum, Old Man’s Child, Norway’s Gehenna, and even earliest Dimmu Borgir” in your promotional materials, you had better fucking back it up, and luckily the […]
Tags: 2022, Erik T, Melodic Black Metal, Primitive Reaction, Review, The Mist From The Mountains
Posted in Reviews, Reviews › H on Tuesday, February 1st, 2022
San Francisco’s progressive metal band Hammers of Misfortune released their debut album The Bastard in 2001. They would go on to release 5 more incredible albums, their last one the phenomenal Dead Revolution in 2016. HOM is an eclectic band with influences ranging from Manilla Road, Fates Warning, Iron Maiden, Solstice (UK). But they have […]
Tags: 2022, Frank Rini, Hammers of Misfortune, Progressive Metal, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, January 31st, 2022
As I’ve stated many times before in these very pages, I’m very picky about my heavy/power metal. It’s not a genre I generally really enjoy or get into, but I’ve certainly come to appreciate the likes of Blind Guardian, WindRose, Dragony, Fairyland, Thy Majestie, Grail Knights, Pathfinder, Twilight Force, and the 23 Rhapsody related bands, […]
Tags: 2022, Battle Beast, Erik T, Heavy Metal, Nuclear Blast Records, Power Metal, Review
Posted in Reviews, Reviews › S on Thursday, January 27th, 2022
January of 2020, specifically January 14th, was quite the day for deathcore. You had releases from Worm Shepherd, Fit For An Autopsy, Enterprise Earth, and a new Ingested single, as well as album number four from Connecticut’s Shadow of Intent, one of symphonic deathcore’s top bands As with 2019s excellent Melancholy, which tackled mental health […]
Tags: 2022, Deathcore, Review, Self-Released, Shadow of Intent, Symphonic
Posted in Reviews, Reviews › L on Tuesday, January 25th, 2022
Deathcore is having another moment. This new wave is being led by such heavyweights from last year such as Worm Shepherd, Osiah, Mental Cruelty, Signs of the Swarm, and Bound in Fear, and looks to be off to a good start with new Worm Shepherd and Shadow of Intent due out in January along with […]
Tags: 2022, Deathcore, J Mays, Review, The Last Ten Seconds of Life, Unique Leader Records
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, January 24th, 2022
I’m pretty new to Wilderun’s form of symphonic classical, folk, and progressive, heavy metal/death metal smash-up, with the reissue of 2019s Veil of Imagination being my first exposure to the band to which I then picked up their more folk-tinged prior records. I described the band as a mix of Opeth, Dream Theater and Blind […]
Tags: 2022, Century Media Records, Erik T, Melodic/Progressive Death Metal, Review, Symphonic Metal, Wilderun
Posted in Reviews, Reviews › B on Friday, January 21st, 2022
I grabbed this 5 song EP for review for 1 simple fact; Jon Huber. The former vocalist of I Declare War, Pathology, and I Detest ( as well as live vocals for Whitechapel back on the day), has been one of my favorite vocalists for a while now since I heard his blast furnace of […]
Tags: 2022, Bludgeoned, Brutal Death Metal, Erik T, Review, Vile Tapes
Posted in Reviews, Reviews › F on Thursday, January 20th, 2022
It’s a shame when a band, especially one so far into their career, doesn’t know who or what they want to be. With a discography in the range of good to great, unfortunately it feels like this is where we find deathcore veterans Fit For An Autopsy. I’ll explain… While the opening track, which is […]
Tags: 2022, Deathcore, Fit For An Autopsy, J Mays, Nuclear Blast Records, Review
Posted in Reviews, Reviews › M on Tuesday, January 18th, 2022
My first 2022 release review is the self-released and self-titled album from Canada’s Maule. This four-piece act plays straight up balls to the wall heavy metal. 9 songs just shy of the 40 minute mark. “Evil Eye” opening up the album and Iron Maiden are a true inspiration for this band – think vintage Maiden, […]
Tags: 2022, Frank Rini, Heavy Metal, Maule, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, January 17th, 2022
Symphonic or blackened deathcore blew the fuck up in 2021. Though it was certainly a thing before 2020, After the success of Lorna Shore‘s Immortal in 2020, the genre simply exploded with already established and new bands like Mental Cruelty, Shadow of Intent, Sin Deliverance, Dead World Reclamation, Darker By Design, Carnifex, Assemble the Chariots, […]
Tags: 2022, Deathcore, Erik T, Review, Symphonic Metal, Unique Leader Records, Worm Sheperd
Posted in Reviews, Reviews › S on Friday, January 14th, 2022
Back before the internet, we metalheads used to rely on a few different methods in hearing and procuring our aural fix. One of these was the blind purchase. Sometimes the payoff was immeasurably fantastic. Sometimes the gamble was nothing less than horrific. Most of the time though, the results tended to fall somewhere in that […]
Tags: 2022, Death Metal, Kristofor Allred, Maggot Stomp, Review, Sarcoughagus
Posted in Reviews, Reviews › C on Thursday, January 13th, 2022
Potentially the greatest perk of writing for a metal site (if you call what I do writing) is getting to connect with underground artists such as Crawl Below’s Charlie Sad Eyes. Not long after his previous album and personal year-end lister, 9 Mile Square was released, he mentioned to me that the next Crawl Below […]
Tags: 2022, Crawl Below, Doom Metal, J Mays, Lawnmower Jetpack Records, Review
Posted in Frontpage Feature, Reviews, Reviews › P on Monday, January 10th, 2022
Late last year, NYDM brutal death metal veterans Pyrexia returned with their sixth full-length album, Gravitas Maximus. They had recently announced the new album and honestly, it came out of nowhere-I was not expecting them to release a Covid album. I guess since their last album Unholy Requiem, was released in 2018, they wanted to […]
Tags: 2021, Death Metal, Frank Rini, Pyrexia, Review, Unique Leader Records
Posted in Reviews, Reviews › C on Thursday, January 6th, 2022
Here’s an interesting one from FDA records. Released a bit before the latest Ophis album, Spew Forth Odium, earlier last autumn, The Tragedy is the third album from this Finnish doom act whom I have never heard and frankly had very little expectations for. The logo, the band/album name, the fact there are hardly any […]
Tags: 2021, Cataleptic, Doom Metal, Erik T, FDA Records, Review
Posted in Reviews, Reviews › V on Monday, January 3rd, 2022
‘And in the category for 2021s most unreadable logo the nominees are……. Vomit Spell..’ So what do we have in the sea of red and sinewy and blood contained in the NecroFrsot artwork here? The debut from a new German grindcore quartet, that’s what. And while Germany isn’t a renowned hotbed of Grindcore (Japanische Kampfhörspiele […]
Tags: 2021, Erik T, FDA Records, Grindcore, Review, Vomit Spell
Posted in Reviews, Reviews › J on Friday, December 24th, 2021
In the rather full realm of Bolt Thrower worship, plenty of bands and staked a claim on the mantle left by the departed British warmongers; Hail of Bullets, Humiliation, Frozen Soul, Decaying, Creeping Flesh, Chainsword just to name a few, but you could argue the top two current Bolt Thrower homage bands are of course, […]
Tags: 2021, Death Metal, Erik T, Just Before Dawn, Raw Skull Recordz, Review
Posted in Reviews, Reviews › L on Friday, December 24th, 2021
On top of Frank’s favorite new metal bands in 2020 was Lady Beast when I reviewed their fourth album, The Vulture’s Amulet. A complete banger of an album incorporating traditional Heavy Metal in the form of early Maiden/Priest/Manilla Road/Dio. So the early Power Metal influences were there as the band galloped along with quicker speeds […]
Tags: 2021, Frank Rini, Heavy Metal, Lady Beast, Reaper Metal Productions, Review
Posted in Reviews, Reviews › K on Thursday, December 23rd, 2021
One could say, when it comes to black metal, I have a mature palate. By that, I mean I’ve tasted a lot of it. Literally and figuratively. I’ve listened to a lot, but also took a bite out of a Darkthrone cd. It did not cure my Transilvanian Hunger. I’m a fan of bands within […]
Tags: 2021, Black Metal, J Mays, Krolok, Osmose Productions, Review