Posts Tagged ‘Review’
Posted in Reviews, Reviews › I on Thursday, May 31st, 2018
Ingested were one of the (at that time) early deathcore bands, who burst onto that scene early with 2009’s Surpassing the Boundaries of Human Suffering. Despite having some of the most god-awful typewriter sounding way-too-high-in-the-mix triggered drums I have ever heard, it was actually a very solid album and fans of the genre were quickly […]
Tags: Ingested, Kevin E, Review, Unique Leader Records
Posted in Reviews, Reviews › S on Wednesday, May 30th, 2018
I was drawn to the 4th album from Switzerland’s Stortregn (Swedish for ‘downpour’) by the as always killer Dan Seagrave artwork alone as I had never heard of this band or any of their albums. But as what happens a few times on blindly checking out a promo, I ended up really liking this band and […]
Tags: 2018, E.Thomas, Non Serviam Records, Review, Stortregn
Posted in Reviews, Reviews › H on Tuesday, May 29th, 2018
Raleigh, North Carolina sludgy blues/doom overlords Horseskull immediately jumped on my radar for containing ¾ of the classic Soulpreacher line-up (Anthony Staton on guitar/vocals, Mike Avery on guitar/FX and Robb Hewlett on bass). The Preacher’s mean, swingin’ riff gospel, tightly locked rhythm grooves and Anthony Staton’s scalding scream was a depraved pleasure on their Man’s […]
Tags: 2018, Horseskull, Jay S, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › L on Monday, May 28th, 2018
2018 has already seen a pretty good slate of old School Swedish death metal from the likes of Gravestone, Angerot, Ripped to Shreds, Demonical and Rogga Johansson’s 176 bands, and here is Metal Blade adding a newish act featuring a few familiar faces to the fray. Lik (‘Corpse’) features Niklas Sandin (Katatonia), on guitars, Christofer […]
Tags: 2018, E.Thomas, Lik, Metal Blade Records, Review
Posted in Reviews, Reviews › S on Friday, May 25th, 2018
I dug the 2014 debut, Nightmare Vortex, from these German, Autopsy lovin’ ( Slaughterday is a song from the bands Mental Funeral album ) fiends, but for some reason completely missed the 2016 follow up, Laws of the Occult, which has been rectified since getting this EP for review, and its a little barnstormer of an EP The […]
Tags: 2018, Death Metal, E.Thomas, FDA Records, Review, Slaughterday
Posted in Reviews, Reviews › T on Friday, May 25th, 2018
The Human Race is Filth is a misery-inducing proposition from York, PA that put out a whole helluva racket on their second release, Liberate. Barely even sticking around for 20 minutes this guitar/drums/vocals duo take the murderous grind of Phobia, Catheter and Disrupt, fatten it up with the oppressive punk thickness of Doom and His […]
Tags: 2018, Jay S, Review, Self-Released, The Human Race is Filth
Posted in Reviews, Reviews › N on Thursday, May 24th, 2018
If you wish to be whisked away to the golden age of melodic, symphonic black metal, (i. e 1994-2001) and revisit classics like The Dynamic Gallery of Thoughts, Enthrone Darkness Triumphant, In the Nightside Eclipse, Aspera Hiems Symfonia, Supreme Art of War, Nexus Polaris, New Obscurantis Order, Born of the Flickering and Devs Iratvs, look no further than the […]
Tags: 2018, Black Lion Productions, E.Thomas, Northwind Wolves, Review
Posted in Reviews, Reviews › C on Wednesday, May 23rd, 2018
So apparently when LL from Desolate Shrine fame touches something it turns to gold. His new creation is Convocation and along with Marko Neuman on vox this Scars Across debut album is a punishing mix of doom death. 4 songs clocking in at 50 minutes this is some pained and anguished brutal and depressive stuff. […]
Tags: 2018, Convocation, Everlasting Spew Records, Frank Rini, Review
Posted in Reviews, Reviews › A on Tuesday, May 22nd, 2018
Boy I got to start off this with review by giving a shout out to Tito Vespasiani owner of Everlasting Spew Records. 2018 has already been off to a solid start for his label with releases from Convocation, Galvanizer, and Quantum Hierarchy. With releases like Valgrind and Construct of Lethe coming later this year Everlasting […]
Tags: 2018, Assumption, Everlasting Spew Records, Nick K, Review
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, May 21st, 2018
I’m going to forgo the history lesson and assume if you are reading this, you are familiar with At The Gates and their place in the annals of melodic death metal and are simply wanting to find out how To Drink From the Night Itself stands as a follow up the 19 years in waiting comeback […]
Tags: 2018, At The Gates, Century Media Records, E.Thomas, Review
Posted in Reviews, Reviews › C on Monday, May 21st, 2018
Back in 1999 Sweden’s, The Crown carved a much loved niche in my heart with their debut, Hell is Here (yes, I know that the band had two previous full-lengths under the Crown of Thorns moniker). Extreme metal was in a little bit of a weird state, with lots of genre transitioning seemingly taking place […]
Tags: 2018, Kristofor Allred, Metal Blade Records, Review, The Crown
Posted in Reviews, Reviews › I on Friday, May 18th, 2018
Nashville Tennessee’s Inferi have become quite the force in U.S underground Melodic Death Metal. I was turned on to this group back in 2014 when I was recommended their album, The Path of Apotheosis. At the time I felt like Inferi were quite far ahead of other similar melodic death groups in terms of technique […]
Tags: 2018, Inferi, Nick K, Review, The Artisan Era
Posted in Reviews, Reviews › Z on Thursday, May 17th, 2018
Insane, experimental sludge is the preferred poison of infernal Irish lunatics Zhora on their second full-length album, Ethos, Pathos, Logos. This record is very much in the key of Rwake’s landmark work from Hell is a Door to the Sun through Rest, Deadbird’s The Head and the Heart, Spaceboy’s underrated discography and Neurosis’ classics Enemy […]
Tags: 2018, Jay S, Review, Self-Released, Zhora
Posted in Reviews, Reviews › D on Wednesday, May 16th, 2018
When Centinex split up in 2006 (but since got back together), members went on to form and help out with two intertwined acts, Interment and Demonical. Both have delivered solid efforts of Swedish death metal with Demonical having released 4 albums and Interment, two. Centinex and Demonical founder Martin Schulman has revamped the lineup since 2011s Death […]
Tags: 2018, Agonia Records, Demonical, E.Thomas, Review
Posted in Reviews, Reviews › S on Tuesday, May 15th, 2018
Maybe it’s a bit premature, considering I am writing this review in what is still the first quarter of 2018, but for the time being, I am putting money on the U.K.’s Slugdge‘s new album, Esoteric Malacology, to be the album of the year for many a metalhead; or a contender for the title at […]
Tags: 2018, Kristofor Allred, Review, Slugdge, Willowtip Records
Posted in Frontpage Feature, Reviews, Reviews › K on Monday, May 14th, 2018
Though considered a mere Children of Bodom clone early on their career, Finland’s Kalmah have gone on to have a decent discography that one could argue is more consistent than the band they were supposed to be ripping off. Through 7 albums, only 2008s For the Revolution stands as a slightly sub-par album (my opinion only mind […]
Tags: 2018, E.Thomas, Kalmah, Review, Spinefarm Records
Posted in Reviews, Reviews › A on Friday, May 11th, 2018
I’ve been a fan of Patrick Loisel since his Kralizec days ( I highly recommend you track down 1999s Origin) and Augury has certainly continued that legacy. And while not very prolific, when Augury does drop and album, the world takes note. 2004s Concealed and 2009s Fragmentary Evidence both are critically acclaimed and arguable classics […]
Tags: 2018, Augury, E.Thomas, Review, Technical Death Metal, The Artisan Era
Posted in Reviews, Reviews › D on Friday, May 11th, 2018
This is death metal. This is just DEATH FUCKING METAL. I mean after 8-10 good spins of this album, that’s about the best way to sum this up. If you haven’t heard of Depravity, it might be because they’re in the middle of the ocean on the continent of Australia, and this is their first […]
Tags: 2018, Death Metal, Depravity, Kevin E, Review, Transcending Obscurity Records
Posted in Reviews, Reviews › N on Thursday, May 10th, 2018
Listen, if you clicked on this review, and as a result are angered by the band’s silly, tongue in cheek, self deprecating, metal mocking, style of metal, what were you really expecting? You see the moniker, you see the album name, you see the goblin. Take your ‘metal is serious’ and ‘no gimmicks’ comments elsewhere, […]
Tags: 2018, E.Thomas, Nekrogoblikon, Review, Seek and Strike
Posted in Reviews, Reviews › G on Wednesday, May 9th, 2018
To say I was pleased as Punch when I saw the new album, The Lupine Anathema and other Bloodcurdling Tales of Horror and the Macabre, from The Grotesquery in the review queue, here at Teeth of the Divine, is more than just an understatement. Considering the fact that the band had seemed to call it […]
Tags: 2018, Death Metal, Kristofor Allred, Review, The Grotesquery, Xtreem Music
Posted in Reviews, Reviews › D on Tuesday, May 8th, 2018
Swedish thrash/punk stranglers Defiatory dropped a royal ass kicker with their 2016 debut Extinct. The band’s caffeinated, hopped-up assault took melodic cues from Sin after Sin and Stained Class, sniped Slayer and the first couple of Overkill records for thrash overload, siphoned in several eras of Swedish brutality (The Crown, Grave, Dismember and the underrated […]
Tags: 2018, Black Lion Records, Defiatory, Jay S, Review, thrash metal
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, May 7th, 2018
One could argue that Amorphis’s post Tuonela, Ad Universum, Far From the Sun ‘slump’ is a comeback stretch that is one of the more consistent, quality album runs in the annals of metal. With the arrival of Tomi Jousten, from 2006s Eclipse, through 2007s Silent Waters, 2009s Skyforger, 2011s The Beginning of Times, 2013s Circle (my […]
Tags: 2018, Amorphis, E.Thomas, Nuclear Blast Records, Review
Posted in Reviews, Reviews › M on Friday, May 4th, 2018
Until we are greeted with Misery Index’s sixth bone-crushing album the band gives us a little taste with the I Disavow single. A 2-song single featuring the title track and a nice cover of Nailbomb’s “Wasting Away”. Opening with “I Disavow” Misery Index are firing on all cylinders. Jason Netherton-bass/vocalist, Adam Jarvis-drums, Mark Kloeppel-guitars/vox and […]
Tags: 2018, Frank Rini, Misery Index, Review, Vitriol Records
Posted in Reviews, Reviews › P on Friday, May 4th, 2018
This sure was a little ditty of a surprise. Never heard of The Psalm, a death metal act, hailing from Greece. This ep, I, was originally released a few years ago and thankfully Repulsive Echo Records have reissued and added some extra tracks. “A Mass For The Bereaved” starts out with a weird beginning, which […]
Tags: 2018, Frank Rini, Repulsive Echo Records, Review, The Psalm
Posted in Reviews, Reviews › G on Friday, May 4th, 2018
Germany’s Goregast have been at it since 2005, with 3 full length albums to their name including 2011s Desechos Humanos. They ply a form of slightly Swedish inspired death metal with some grindcore elements with lyrics in English, German and Spanish. Covered In Skin is a 10 minute, 3 song EP that was originally released […]
Tags: 2018, E.Thomas, FDA Records, Goregast, Review