Posts Tagged ‘Review’
Posted in Reviews, Reviews › D on Wednesday, July 20th, 2022
This review has had several different openings (like your mom). At first, I was disappointed with the new Deathwhite. Maybe it’s because of lofty expectations, being a big fan of their previous gothic-tinged doom. Think modern Katatonia with better choruses. Yeah, I said it. However, after a very short amount of time, I found myself […]
Tags: 2022, Deathwhite, Doom Metal, J Mays, Review, Season of Mist
Posted in Reviews, Reviews › M on Tuesday, July 19th, 2022
I grabbed the debut full-length album from Barcelona’s Mankind Grief as Lacerated Enemy has released a couple of solid blackened deathcore releases already in 2022 ( Hurakan’s Via Eterna and Downfall of Mankind‘s Vile Birth) and Monarch had a song on it called “LV-426”, so I was hoping for a full-on Alien/Aliens themed album. Alas, […]
Tags: 2022, Blackened Deathcore, Deathcore, Erik T, Lacerated Enemy Records, Review
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, July 18th, 2022
Man, talk about being prolific. With their debut album, Rat°God, having just been released barely a year ago, and having spent much of the past year out and about supporting said album, Inhuman Condition is already back with full-length number two of classic old-school styled Floridian death metal. What the hell? Do these guys think […]
Tags: 2022, Inhuman Condition, Kristofor Allred, Listenable Insanity Records, Review
Posted in Reviews, Reviews › K on Friday, July 15th, 2022
Now THAT is an album cover. T-shirt immediately purchased. But how is the music? Well, Lacerated Enemy has taken a break from symphonic/blackened deathcore and delivered us a fucking monster of a slam/brutal death metal record from France’s Kanine. And if you thought Organectomy (whose Nail Below Nail releases the same day as Karnage) or […]
Tags: 2022, Brutal Death Metal, Deathcore, Erik T, Kanine, Lacerated Enemy Records, Review, Slam
Posted in Reviews, Reviews › A, Reviews › V on Friday, July 15th, 2022
When I saw that these two bands were doing this 2 song split, my ears perked up. The early nineties are considered the golden years of Black Metal with so many bands emerging from the pits of hell to either reign or fall. nd these 2 bands don’t need an introduction because they are titans […]
Tags: 2022, Black Metal, Iron Bonehead Productions, Jeremy Beck, Review
Posted in Reviews, Reviews › I on Tuesday, July 12th, 2022
You have to admire the balls on the PR company that sent out the email for the promos for Imperious, the debut album from Colorado duo Inexorable…”For Fans Of: Dying Fetus, In Flames, Dark Tranquillity, Dimmu Borgir and Children of Bodom“. Fucking hell!!!!!!- Sign me up! Admittedly, the bait and switch worked on me. Hook, […]
Tags: 2022, Death Metal, Erik T, Review, Sliptrick Records, Symphonic Metal
Posted in Frontpage Feature, Reviews, Reviews › M on Monday, July 11th, 2022
You know that meme of the kid with the “stank face?” That’s what the new album by Molder (I hardly know her), Engrossed in Decay makes me do for nearly 50 minutes. It’s that hoped-for but ultimately unexpected style of filthy. The kind of nastiness not unlike the time you hooked up in the back […]
Tags: 2022, Death Metal, J Mays, Molder, Prosthetic Records, Review
Posted in Reviews, Reviews › R on Friday, July 8th, 2022
Not even a year after releasing the solid Verses of Regicide album, Aussie musician, ‘Nightwolf’ and his prolific project Runespell is back with a fine EP. Sentinels of Time is with a 4 song, half-hour or so of 90s second wave-inspired black metal that continues the influences that range from Abigor, Satyricon, Immortal, and such […]
Tags: 2022. Erik T, Black Metal, Iron Bonehead Productions, Review, Runespell
Posted in Reviews, Reviews › G on Thursday, July 7th, 2022
I’ve always been a Gwar fan. The Brockie albums are classics, the first two, Hell-o and Scumdogs of the Universe are undeniable required listening. Their shows are legendary, copious amounts of blood, piss and sperm being sprayed across the crowd with wild, reckless abandon. They were the last show I saw before the world went […]
Tags: 2022, Gwar, Heavy Metal, Jeremy Beck, Pit Records, Review
Posted in Reviews, Reviews › E on Wednesday, July 6th, 2022
Though not quite the tech-death onslaught that 2021 was, 2022 has still had some stellar releases from the likes of Aethereus, Inanimate Existence and GreyLotus. And while GreyLotus’ Dawnfall might be my top contender right now, Exocrine’s fifth album is certainly right up there as well. France’s Exocrine got on my radar with 2020s Maelstrom, […]
Tags: 2022. Erik T, Exocrine, Review, Technical Death Metal, Unique Leader Records
Posted in Frontpage Feature, Reviews, Reviews › M on Monday, July 4th, 2022
Virginia’s crossover/thrash lunatics Municipal Waste return with their seventh album. I remember when this entire genre resurged like around 2000 and MW were the new kids on the block. Now it’s over 20 years later they’ve been around and are veterans. I was really happy when drummer Dave Witte joined in 2005. He’s a great […]
Tags: 2022, Crossover Metal, Frank Rini, Municipal Waste, Nuclear Blast Records, Review, thrash metal
Posted in Reviews, Reviews › I on Wednesday, June 29th, 2022
California’s Inanimate Existence has been releasing quality albums for a few years now, but never seems to quite break into the discussion of absolute top-tier tech death with say, First Fragment, Gorod, Obscura, and such. Even when they had Riley McShane (Continuum, Alleageaon) in their ranks back in 2014, they were juuuuuust on that cusp. […]
Tags: 2022, Erik T, Inanimate Existence, Review, Technical Death Metal, The Artisan Era
Posted in Reviews, Reviews › D on Tuesday, June 28th, 2022
The first time I heard Indiana’s Demiricous was their debut One (Hellbound). I remember thinking that if the Bay Area bands had an orgy; Demiricous would be the outcome of that unholy union. They are undeniably heavy, with razor sharp riffs and often soaring solos, some impressive drum work makes it a total package that’ll […]
Tags: 2022, Demiricous, Jeremy Beck, Post, POST. Recordings, Review, thrash metal
Posted in Frontpage Feature, Reviews, Reviews › K on Monday, June 27th, 2022
Hate über alles is the 15th album from German thrashers Kreator. IMO they are the best German thrash band, ever. Seen them live so many times and other than 2 meh albums, Outcast and Endorama their discography destroys. Kreator are not reinventing the wheel but maybe the new bassist Frederic Leclercq (Loudblast) said let’s up the ante a little more. “Sergio Corbucci […]
Tags: 2022, Frank Rini, Kreator, Nuclear Blast Records, Review, thrash metal
Posted in Reviews, Reviews › E on Friday, June 24th, 2022
Thronehammer’s vocalist Kat Shevil Gillham sings and drums on the debut EP, from UK’s Enshroudment. I’m really an old school doom death fan. I do enjoy new bands in this genre but bands like Morgion, Anathema, Paradise Lost, Dream Death– all their earliest releases, as well as My Dying Bride, all hold a special place in my heart. This 3 song […]
Tags: 2022, Chaos Control, Death/Doom Metal, Enshroudment, Frank Rini, Good Mourning Records, Review
Posted in Reviews, Reviews › C on Wednesday, June 22nd, 2022
Here is yet another project from the mind of Matthew Schott (listed here as ‘Repulsive Dirtnap Casket Crusher’) with the help of some other mysteriously unknown figures (Filth Esophagus Vacuum: vocals, SixSixSix Chambers of Rotten Mold: guitars/leads, Four Filthy Shelves of Putrid Decay: bass), to go along with Valdur, Oreamnos and Sxuperion. And what we […]
Tags: 2022, Bloody Mountain Records, Cabinet, Death Metal, Erik T, Review
Posted in Reviews, Reviews › O on Wednesday, June 22nd, 2022
Kansas’s technical death metal powerhouse Origin return with their eighth full length record Chaosmos. Paul Ryan, Mikey Torres, Jason Keyser, and John Longstreth waste zero time pummeling the listener with the opening track “Ecophagy.” The track starts off with a strong hook and then proceeded to get progressively more technical as the track goes on. […]
Tags: 2022, Agonia Records, Nick K, Nuclear Blast Records, Origin, Review, Technical Death Metal
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, June 20th, 2022
First off, hats off to Alestorm for the whole Iron Maiden, Seventh Son of a Seventh Son homage/parody for their very own seventh album. Well played lads. Second, this is an Alestorm album, so by now, you know what you are getting, especially as the band has really locked into a sort of pirate/party metal […]
Tags: 2022, Alestorm, Erik T, Napalm Records, Pirate Metal, Review
Posted in Reviews, Reviews › W on Thursday, June 16th, 2022
The last time I heard Alabama’s Writhing Shadows, its was when I reviewed a group of cassettes from then fledgling label, Gurgling Gore, that included featured Wharflurch and Seep. Well, both the label and band has been productive since then with numerous cassette releases, with Writhing Shadows having released a split, an EP, a single, […]
Tags: 2022, Death Metal, Erik T, Gurgling Gore, Review, Writhing Shadows
Posted in Reviews, Reviews › M on Wednesday, June 15th, 2022
I’ve reviewed the last several releases from Misery Index and knowing singer/bassist Jason Netherton all these years from my Internal Bleeding time and his stint in Dying Fetus- well those were some legendary shows folks. Time flies and Complete Control is the bands seventh full length album. If you were expecting anything less than their […]
Tags: 2022, Century Media Records, Death Metal, Frank Rini, Misery Index, Review
Posted in Reviews, Reviews › C on Tuesday, June 14th, 2022
I had never heard of these guys prior to this release, full disclosure; I didn’t know they existed. They’ve been around since 1999, and since demo Opus I of that year, they’ve been extremely busy putting out a veritable shit load of music including 3 Eps, 4 split albums, 2 live albums and 6 full […]
Tags: 2022, Death Metal, Grindcore, Holocausto Canibal, Jeremy Beck, Review, Selfmadegod Records
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, June 13th, 2022
Italy’s premier Dwarven-themed power metallers are back with album number 5, and although I only discovered them after 2017s Stonehymn, (where they truly leaned into the Dwarven imagery and themes), they have been one of my favorite power metal bands since. 2019s Wintersaga brought us the youtube hit and earworm “Diggy Hole”, (sitting at 34 […]
Tags: 2022, Erik T, Napalm Records, Power Metal, Review, Wind Rose
Posted in Reviews, Reviews › B on Saturday, June 11th, 2022
I’m not quite sure that to make of Bellgrave’s Back As King. The internet tells me this German veteran act started as a doom/death band back in the early 00s and then turned onto a sort of hard rock death/doom band with some still sort of gravelly semi death metal vocals (courtesy of Danny Hoff, […]
Tags: 2022, Bellgrave, Death 'n' Roll, Erik T, Review, Self-Released
Posted in Reviews, Reviews › S on Friday, June 10th, 2022
It seems like forever ago when Sweden’s Soreption was a contender for my 2014 album of the year with Engineering the Void. The perfect blend of stuttering Meshuggah syncopation and tech death wizardry as well as sudden bursts of orchestral elements just hit m perfectly. However, the 2018 follow up, Monument of the End, didn’t […]
Tags: 2022, Erik T, Review, Soreption, Technical Death Metal, Unique Leader Records
Posted in Reviews, Reviews › J on Tuesday, June 7th, 2022
There’s a new Jungle Rot album on the way, okay? At this point, let’s be honest with ourselves. You know what they bring to the table. You either like it or you don’t. This album is not likely to change your mind, so the real question is; Is this a good Jungle Rot album? Yeah. […]
Tags: 2022, Death Metal, J Mays, Jungle Rot, Review, Unique Leader Records