Posts Tagged ‘Review’
Posted in Frontpage Feature, Reviews, Reviews › L on Monday, February 10th, 2020
I’ve been listening to New Jersey’s Lorna Shore since 2013/14’s EP, Maleficium, and 2015 debut full length Psalms . And while I enjoyed the band’s synth tinged take on deathcore, I never expected them to blow up into the full on symphonic blackened deathcore act that delivered Flesh Coffin in 2017. Well, after some delays […]
Tags: 2020, Century Media Records, Deathcore, E.Thomas, Lorna Shore, Review, Symphonic
Posted in Reviews, Reviews › I on Friday, February 7th, 2020
Holy crap did this come out of left field or what? Released last year, this promo was just sent to me by the label recently and literally I had to get a review out. Never heard of this dude, this release and or band and Ian has been in the metal industry for over 3 […]
Tags: 2019, Frank Rini, Heavy Metal, Ian Blurton Future Now, Review, Seeing Red Records
Posted in Reviews, Reviews › I on Wednesday, February 5th, 2020
Do you like the Alien film franchise? I like the Alien film franchise. It’s a mixed feelings type of thing when it comes to these films. Some people like them all, some people hate them all, some people like a few and hate a few, while others couldn’t care less. Me though, I dig ’em, […]
Tags: 2020, Death Metal, Inverted Matter, Kristofor Allred, Lethal Scissor Records, Review
Posted in Frontpage Feature, Reviews, Reviews › M on Monday, February 3rd, 2020
From the label that brought you last year’s excellent Dauþuz album, Monvmentvm, comes the debut of Finnish trio Marrasmieli (‘death of the mind’) and you can go ahead and block a spot for your 2020 year end list, because this is going to be on it. This isn’t just a good album, or a great […]
Tags: 2020, Atmospheric Black Metal, E.Thomas, Marrasmieli, Naturmacht Productions, Review
Posted in Reviews, Reviews › I on Friday, January 31st, 2020
If you were to ask me where Infirmity was from, based solely on their sound, I’d be hard pressed to come up with an answer. The band and their full-length debut, Descendants of Sodom, is brimming full with influential might. A journey of brutal, melodic, and even blackened tinged death metal groove, Descendants of Sodom […]
Tags: 2020, Death Metal, Infirmity, Kristofor Allred, Lost Apparition Records, Review
Posted in Reviews, Reviews › C on Wednesday, January 29th, 2020
They say imitation is the greatest form of flattery. If that’s the case Chris Reifert and Autopsy should be flattered as fuck by this German trio and their second full length album, Outcome of Obnoxious Science. If you like Autopsy and their sinewy oozing ilk like Slaugterday (also from Germany), Nailgun Massacre, Obliteration, Execration and […]
Tags: 2020, Cryptic Brood, Death Metal, E.Thomas, Review, War Anthem Records
Posted in Frontpage Feature, Reviews, Reviews › V on Monday, January 27th, 2020
Baltimore’s brutal death metal band, Visceral Disgorge, burst onto the scene in 2011 with their scorching debut album-Ingesting Putridity. I was an instant believer and reviewed the album, gave it high marks and interviewed the singer Travis Werner. After meeting Travis at a local show and witnessing their brutal live performance we struck up […]
Tags: 2020, Agonia Records, Brutal Death Metal, Frank Rini, Review, Visceral Disgorge
Posted in Reviews, Reviews › P on Friday, January 24th, 2020
The last time I checked in with Indiana’s Psychomancer was 2015s Inject the Worms EP, And I wasn’t that impressed with the band’s generic and forgetful if competent American death metal. But it appears as if some HM2 boss pedals have found their way to Michigan City, Indiana as the quartet has developed what was […]
Tags: 2020, Death Metal, E.Thomas, Orchestrated Misery Recordings, Psychomancer, Review, Swedish
Posted in Reviews, Reviews › I on Wednesday, January 22nd, 2020
Infidel Reich burst on the scene in 2016 and a year later they unleashed their scorching self-titled ep and now they are back with their debut album Reichenstein which came out at the tail end of 2019 and is just a monstrous and full throttle pedal to the old school metal albums. The supergroup of […]
Tags: 2020, Death Metal, Frank Rini, Helter Skelter Productions, Infidel Reich, Punk, Review
Posted in Reviews, Reviews › M on Monday, January 20th, 2020
When Massive Assault vocalist Fredde Kaddeth reaches out to you directly, asking if he can send you Massive Assault‘s, 2 song, 7″ limited edition single for review, you say ‘yes’. Especially when you have been a fan of the band’s Dismember meet Grave Swedish styled goodness since 2012s Death Strike and 2017s Mortar. Side 1 […]
Tags: 2019, Crash Landing Records, Death Metal, E.Thomas, Massive Assault, Review, Swedish
Posted in Reviews, Reviews › A on Friday, January 17th, 2020
Switzerland’s Algebra’s debut album, Polymorph was released in 2012 and from that moment on I became a fan and interviewed drummer, Tony Sharp. In 2014 they followed up their debut with Feed the Ego-yet another raging slab of well played thrash metal that harkens back to the Bay Area scene of the 80’s, a little bit of death/thrash, but infusing the […]
Tags: 2020, Algebra, Frank Rini, Review, Unspeakable Axe Records
Posted in Reviews, Reviews › D on Wednesday, January 15th, 2020
Poland’s Deivos have returned with their 6th full length album Casus Belli. I must say I was quite please and hooked with their 2017 effort Endemic Divine. Their 2019 effort follows a lot of similar elements and expands upon some. Deivos play a form of brutal, groovy technical death metal that is a bit in […]
Tags: 2020, Death Metal, Deivos, Nick K, Review, Selfmadegod Records
Posted in Frontpage Feature, Reviews, Reviews › F on Monday, January 13th, 2020
One of the more under the radar reunions of late is the reformation of Germany’s Fleshcrawl, one of the country’s early 90s death metal bands along with Morgoth (who ironically shared the same band name with Fleshcrawl at the outset) , who seemed to get the lions share of the attention. Fleshcrawl eventually settled into […]
Tags: 2019, Apostasy Records, Death Metal, E.Thomas, Fleshcrawl, Review, Swedish
Posted in Reviews, Reviews › F on Friday, January 10th, 2020
I had no idea New York’s awesome Mortician finally released an album after all these years…..oh wait…this is not Mortician???? Fluids-what the hell?? New to the scene, forming in 2018 from Arizona, Walter Hale on Drums/Synths/Programming, Jan Grotle on Guitar/Bass and Cole Jacobsen on Vocals, this trio of stoolbags have put out their debut Exploitative […]
Tags: 2020, Brutal Death Metal, Fluids, Frank Rini, Maggot Stomp, Review
Posted in Reviews, Reviews › A on Wednesday, January 8th, 2020
I’m always up for some bombastic, symphonic black metal, but other than maybe False, Belzebubs, Northwind Wolves and Kull (if they don’t really count as ‘new’) and some other Black Lion Records bands, there are few new, exciting young purely old school bands in the genre, as I typically rely on the old guard of […]
Tags: 2019, Astaroth Incarnate, E.Thomas, Review, Self-Released, Symphonic Black Metal
Posted in Reviews, Reviews › R on Monday, January 6th, 2020
Germany’s and personal favorite Revel in Flesh return with their 5th long player and The Hour of the Avenger shows a more mature Revel in Flesh where they continue to allow their riffs to breathe a little longer. I’ve been in touch with their singer, Ralf for years now and consider him a friend. We […]
Tags: 2020, Death Metal, Frank Rini, Revel in Flesh, Review, Swedish, War Anthem Records
Posted in Reviews, Reviews › T on Monday, January 6th, 2020
Hailing from Edmonton, Canada, one might assume that Tales of the Tomb are yet another impressive act of technicality and time signature wielding wizardry, especially given that Christian Donaldson (Cryptopsy) handles the mixing and mastering of the band’s latest sophomore EP release, Volume Two: Mendacium. Yes, one might assume this solely based on our experience […]
Tags: 2020, Death Metal, Nick K, Review, Self-Released, Tales of the Tomb
Posted in Reviews, Reviews › N on Monday, January 6th, 2020
Waaaaay back in 2017, California’s Northwind Wolves released their aptly named debut, Dark…Cold…Grim, a superb and authentic delivery of 90s symphonic black metal that made my year end list. Well, as expected for a second album, the follow up delivers the same sound, expands on it a little, but never quite reaches the dark cold […]
Tags: 2020, Black Lion Records, E.Thomas, Northwind Wolves, Review, Symphonic Black Metal
Posted in Reviews, Reviews › I on Tuesday, December 24th, 2019
I was immediately intrigued by this release as it’s another symphonic/tech black/death whatever release from The Artisan Era who have already wowed me in 2019 with the likes of Singularity, Oubliette, Mordant Rapture, The Odious Construct, Warforged and such, but also that the band features former members of Council of the Fallen, one of the […]
Tags: 2019, Death Metal, E.Thomas, Immanifest, Review, Symphonic Black Metal, Technical Death Metal, The Artisan Era
Posted in Reviews, Reviews › O on Tuesday, December 24th, 2019
I am new to the Obsequiae hype train and after my good buddy Graham, from Deepsend Records-RIP, recommended this album to me, I could not be more than happier with his recommendation. Under this name the band has been around for over a decade and released Suspended in the Brume of Eos in 2011 and […]
Tags: 20 Buck Spin, 2019, Black Metal, Frank Rini, Obsequiae, Review
Posted in Frontpage Feature, Reviews, Reviews › O on Monday, December 23rd, 2019
This review is long overdue – about four months late – but can you blame me? There was a lot to take in on this one! And since it’s going to wind up high on my year-end list, I figured it’s time. I’ve been an Opeth fan since late 1997, when I first heard “Nectar” […]
Tags: 2019, Jordan Itkowitz, Moderbolaget Records, Opeth, Progressive Rock, Review
Posted in Reviews, Reviews › B on Friday, December 20th, 2019
If you haven’t checked out Virginia’s Construct of Lethe, do so now. Their 2018 effort Exiler, was one of 2018s best death metal albums, and now founder Tony Petrocelly has gone back to Construct of Lethe‘s past to deliver a vision of the band’s future…bear with me here. Back in the early 00s , before […]
Tags: 2019, Bethledeign, Black/Death Metal, E.Thomas, Edgewood Arsenal Records, Review
Posted in Reviews, Reviews › D on Thursday, December 19th, 2019
Long Island New York death metal act, Day of Doom return with their 5th album, Epitaph of the Darklord, on their own newly created label-3 Demon Records. I reviewed their previous album, Descent of Humanity on here back in 2017 and I feel Epitaph of the Darklord is their finest work to date. Starting off […]
Tags: 2019, 3 Demons Records, Day of Doom, Frank Rini, Review
Posted in Reviews on Wednesday, December 18th, 2019
Here is a remastered reissue of Ungfell’s self released debut album, and for those unfamiliar with Swiss duo Ungfell, as I was, they play a form of raw, demented black metal inspired by medieval times and the dark ages. Think Peste Noire meets Lugubrum and early Abigor (Verwüstung / Invoke the Dark Age/Orkblut). It’s a […]
Tags: 2019, Black Metal, E.Thomas, Eisenwald, Review, Ungfell
Posted in Reviews, Reviews › 012 on Tuesday, December 17th, 2019
Occasionally I get sent some pretty obscure, late stuff in the mail, and one such release is the second effort from Italy’s female fronted act 5Rand (grand? five rand?), released earlier this Autumn. It’s clearly marketed to ride Jinjer’s current wave of popularity, but actually stands on its own as a pretty solid release, largely […]
Tags: 2019, 5Rand, E.Thomas, Review, Time to Kill Records