Posts Tagged ‘Review’
Posted in Reviews, Reviews › M on Wednesday, January 10th, 2018
As usual. when the dust has settled on a year, a few late year releases find their way into my hands and miss the deadline for year end lists, but certainly need some attention, and this is the case with the second album from the UKs Monolith Cult, a new act to me. In my […]
Tags: 2017, Doom Metal, E.Thomas, Heavy Metal, Monolith Cult, Review, Traditional, Transcending Records
Posted in Reviews, Reviews › N on Tuesday, January 9th, 2018
Delving into this release just from the initial look at the cover, the imagery of the band members, logo etc, I will admit, it is a bit different soundwise than expected. Nothing bad mind you, it’s just going in, I was expecting a cold, speed assault similar to Marduk and their brethren but what I’m […]
Tags: 2017, Nazghor, Non Serviam Records, Review, Will 'Bones' Lee
Posted in Frontpage Feature, Reviews, Reviews › C on Monday, January 8th, 2018
All four of these albums were previously remastered in 1999 and now we get reissues of a reissue. But Tom Warrior breathed new life into the sound with the help from his Triptykon bandmate V.Santura who is an excellent engineer. Each paragraph will speak more about my experience with Celtic Frost and the added extras. […]
Tags: 2017, Celtic Frost, Frank Rini, Noise Records, Reissue, Review, thrash metal
Posted in Reviews, Reviews › C on Friday, January 5th, 2018
Though still maligned as a genre, Deathcore had a a pretty solid year in 2017 with Aversion’s Crown, Thy Art is Murder, Oceano, Through the Eyes of the Dead, Fit For An Autopsy, Slaughter to Prevail, Conjonctive, Shadow of Intent, Boris the Blade and Reaping Asmodiea releasing solid efforts, and as the year closed out, […]
Tags: 2017, Cranley Gardens, Deathcore, E.Thomas, Review, Self-Released
Posted in Reviews, Reviews › V on Friday, January 5th, 2018
Voracious Scourge’s debut release, …Our Demise is a monstrous ep comprising some of the best members in death metal. You have Adrie Kloosterwaard from Sinister, doing the vox, Mike Smith, ex-Suffocation drummer, Jason McIntyre and Lance Strickland, from Suture on guitar and bass. This 5-song ep is so damn killer.””You think you know well played, […]
Tags: 2017, Brutal Death Metal, Frank Rini, Immortal Souls Productions, Review, Voracious Scourge
Posted in Reviews, Reviews › M on Thursday, January 4th, 2018
I’ve got to hand it to New Jersey’s Mortum, from the little snippet of material that I had heard from them before I signed up to review their new album, Eheieh Chaos, I wasn’t too impressed. The music wasn’t bad per se but it wasn’t anything new or more than just a little intriguing; yet […]
Tags: 2017, Black Metal, Kristofor Allred, Mortum, Review, Self-Released
Posted in Reviews, Reviews › P on Wednesday, January 3rd, 2018
Hailing from the D.C. area, Pain Tank is a fucking unhinged bunch that rip through 13 tracks of fucking furious doom-laden, noise-blasted hardcore n’ crusty, punk grind that calls to mind Enemy Soil, Man is the Bastard, Employer/Employee, early Pig Destroyer, Skitsystem, Phobia, Inhale/Exhale era Nasum, Napalm Death and lots of other neurotic, repulsive influences. […]
Tags: 2017, Edgewood Arsenal Records, Jay S, Pain Tank, Review
Posted in Reviews, Reviews › G on Tuesday, January 2nd, 2018
Holland’s Graceless are a new act, but feature a number of veterans from the Dutch scene from the likes of the excellent Nailgun Massacre and Soulburn, Master and Grand Supreme Bloodcourt. And the end result is what you’d expect from a collaboration of those folks. If you enjoy any of these band members other projects you […]
Tags: 2017, Death/Doom Metal, E.Thomas, Graceless, Raw Skull Recordz, Review
Posted in Reviews, Reviews › A on Monday, January 1st, 2018
France’s Aosoth released one of the greatest black metal albums I ever heard in 2013-IV: An Arrow in Heart. It made my best of list and I interviewed them as well. Nice dudes, creating some dark and brutal music. There were a few death metal elements on the album and it was just fantastic. Fast […]
Tags: 2017, Agonia Records, Aosoth, Black Metal, Frank Rini, Review
Posted in Reviews, Reviews › S on Friday, December 22nd, 2017
While Tomas Lindberg’s other 2017 project and release by The Lurking Fear (which I found to be a real snoozer), might get more press and recognition, possibly due to the Century Media label or more prominent former and current bands members from At The Gates, Bombs of Hades, Edge of Sanity and Disfear . But the fact […]
Tags: 2017, Apostasy Records, Review, Sign of Cain
Posted in Reviews, Reviews › P on Friday, December 22nd, 2017
I’m not familiar with Portugal’s Process of Guilt, but considering the country’s quality output this recently (Goldepyre, Grog, Primal Attack, The Ominous Circle, Switchtense) I thought I’d see how the country’s post rock/sludge genre was doing, and based on a review at this very site of the band’s last album, 2012’s , FÆMIN , my curiosity was peaked. […]
Tags: 2017, Bleak Recordings, E.Thomas, Process of Guilt, Review
Posted in Reviews, Reviews › S on Thursday, December 21st, 2017
Technical death metal. There’s generally two type of people when regarding the sub-genre. Those that don’t like it, considering it nothing more than a noodly-broodly fretboard wankfest that’s more show than substance, and well, those that do. I happen to fall in the latter category and think that tech-death is some stellar shit. Honestly, I’d […]
Tags: 2017, Kristofor Allred, Review, Self-Released, Spectrum of Delusion
Posted in Reviews, Reviews › K on Wednesday, December 20th, 2017
Germany has always been responsible for some of the best metal bands. I would say the best countries for overall metal has been: U.S., Germany and England. For me, Kreator are the best German thrash band and always one of my faves. Each paragraph will focus on more of the bonus content, remastering and personal […]
Tags: 2017, Frank Rini, Kreator, Noise Records, Review
Posted in Reviews, Reviews › T on Tuesday, December 19th, 2017
Though hailing from Quebec, Canada, Цар Стангра (translating to ‘Tsar Stangra’) and founder Stan Stefanovski would have you imbuing the legions of Bulgar cavalry sweeping across the steppes to confront the invading Byzantines… The Ukrainian/ Eastern European vibe is strong here with the likes of Obest, Drudkh, Negura Bunget, Nokturnal Mortum etc, flowing through their veins […]
Tags: 2017, E.Thomas, Eastern Hammer Productions, Review, Цар Стангра
Posted in Frontpage Feature, Reviews, Reviews › R on Monday, December 18th, 2017
Every once and a while a release comes out that truly drops my jaw and leaves me salivating for more. Such is the case with Cracow Poland’s Redemptor fourth full length record Arthaneum. I consider myself a fairly well traveled connoisseur of polish technical death metal. This record goes beyond being a technical death […]
Tags: 2017, Nick K, Redemptor, Review, Selfmadegod Records
Posted in Reviews, Reviews › A on Friday, December 15th, 2017
There is something foul afoot in the Iberian Peninsula. Some Portuguese and Spanish acts like The Ominous Circle, Morbid Flesh, Aversio Humanitas, Goldenpyre, have delivered some truly nasty black and death metal of late, and with their second effort Spain’s Altarage look to be the apex of the onslaught. I never heard the band’s debut, […]
Tags: 2017, Altarage, E.Thomas, Review, Season of Mist
Posted in Reviews, Reviews › O on Friday, December 15th, 2017
Taking a break form the recent onslaught of old school and Swedish death metal, Germany’s FDA Records have delved into the death-doom genre with the 4th full length album from Hamburg’s Ophis (“snake”), and it’s as successful and consistent as you’d expect from the label, despite the genre. The aptly named The Dismal Circle is […]
Tags: 2017, E.Thomas, FDA Records, Ophis, Review
Posted in Reviews, Reviews › D on Thursday, December 14th, 2017
Hailing from where I grew up, Long Island New York’s Day of Doom have been around for a pretty decent time, since 2000. They have released four albums. Night of Horror, Slaves to Insanity, The Gates of Hell and their newest one Descent of Humanity. They also reissued their first 2 albums on The Second […]
Tags: 2017, 3 Demons Records, Day of Doom, Frank Rini, Review
Posted in Reviews, Reviews › S on Wednesday, December 13th, 2017
“This is what happens. It indicates the non-frenzied feeding of a large squalus – possibly Longimanus or Isurus glauca. Now… the enormous amount of tissue loss prevents any detailed analysis; however the attacking squalus must be considerably larger than any normal squalus found in these waters. Didn’t you get on a boat and check out […]
Tags: 2017, E.Thomas, Review, Squalus, Translation Loss Records
Posted in Reviews, Reviews › P on Tuesday, December 12th, 2017
Give it up for Hammerheart partnering with Patrick Mameli to bring you the first set of Pestilence reissues. Each paragraph will focus on each of these reissues, my thoughts and the impact each had on the scene. My second Pestilence reissue review package will be in the new year encompassing Testimony of the Ancients and […]
Tags: 2017, Frank Rini, Hammerheart Records, Pestilence, Review
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, December 11th, 2017
Ever since Nile erupted forth with their Egyptian take on brutal death metal, ethnic, and cultural elements have crept into death metal more and from from Ade to Scarab and others. But here comes France’s Impureza to add one I have not heard before- at least not in this full on capacity: Flamenco. Sure, a […]
Tags: 2017, E.Thomas, Impureza, Review, Season of Mist
Posted in Reviews, Reviews › D on Friday, December 8th, 2017
Every time I think Italy has rendered the most brutalist of brutal albums, it seems to quickly get superseded by something else. Whether it’s Hour of Penance to Blasphemer, to Hideous Divinity, then to Logic of Denial, Antropofagus and recently Daemusinem . Well, Devangelic is here to try and stop the buck. However, the best term I can […]
Tags: 2017, Comatose Music, Devangelic, E.Thomas, Review
Posted in Reviews, Reviews › K on Friday, December 8th, 2017
It was The Kennedy Veil’s second album, 2014’s Trinity of Falsehood, which really put them on the tech-death map. It was their first album on Unique Leader records, and was a twisting, darting, riff-filled affair that really announced the quartet as a potential force to be reckoned with and demonstrated some incredibly deft musicianship. Well […]
Tags: 2017, Kevin E, Review, The Kennedy Veil, Unique Leader Records
Posted in Reviews, Reviews › T on Thursday, December 7th, 2017
Reuniting last year after a 10 year hiatus Mike Centrone, vocalist of NYDM band, Dehumanized, said you know what this damn world needs? I’ll tell you what it needs, it needs the reformation of Through The Discipline. Originally formed in 1997, the band released some demos, eps and a full-length album in 2004, titled Art […]
Tags: 2017, Frank Rini, Review, Through the Discipline
Posted in Reviews, Reviews › E on Wednesday, December 6th, 2017
From the opening mid range chords of the introductory “Into the Fire” with strains of that classic Phantasm/”Left Hand Path” riff, you know exactly what you are getting from the debut of Germany’s Endseeker: Classic, Swedish styled death metal. And much like recent releases from label mates Lifeless and Blood of Seklusion, it delivers the goods, […]
Tags: 2017, E.Thomas, Endseeker, FDA Records, Review