Posts Tagged ‘Review’
Posted in Reviews, Reviews › M on Thursday, January 24th, 2019
Good lord- talk about an obscure blast from the past. I vaguely remember purchasing this Swdish band’s debut EP Alienor back in 1993 as a blind purchase, and kind digging it. It was a more progressive slightly different take on death metal back then, but 2 albums later in 1994 and 1996 the band disappeared […]
Tags: 2019, E.Thomas, Melodic Death Metal, Orchestrated Misery Recordings, Review
Posted in Reviews, Reviews › M on Wednesday, January 23rd, 2019
Last year I had this unique thing happen around this time of year where The New Morbid Angel album came out and then right around the time of hearing it I discovered the Polish band Redemptor. I felt it was rather unique that releases that time of year within the same genre had such similar […]
Tags: 2018, Comatose Records, Death Metal, Mass Infection, Nick K, Review
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, January 21st, 2019
Ever since I met these, then kids back in 2008 at a Summer Slaughter (or maybe Sounds of the Underground?) show, I’ve enjoyed watching them stick out the genre saturation of proggy deathcore djent whatever ever core that blew up in the mid 00s (“Abstract Art” from the debut The New Reign is still cool as fuck over […]
Tags: 2019, Born of Osiris, E.Thomas, Review, Sumerian Records
Posted in Reviews, Reviews › L on Friday, January 18th, 2019
I’ve heard of Lividity, veterans of the Chicago/Illinois brutal death metal scene since the mid 90s, but have not really heard them or owned any of their albums. Ive seen them lumped in with the likes of Gorgasm to Cannibal Corpse and of course Deaden and Broken Hope, and after hearing the band’s 6th album, Perveseverance, […]
Tags: 2019, Brutal Death Metal, E.Thomas, Lividity, Metal Age Productions, Review
Posted in Reviews, Reviews › I on Thursday, January 17th, 2019
Hot damn! I like surprises (at least good ones) just as much as the next guy or gal, but I have to say that some of my most favorite surprises are when I find out a band I really like has released a new album right under my nose without me knowing anything about it. […]
Tags: 2019, Black Metal, Debemur Morti Productions, Infestus, Kristofor Allred, Review
Posted in Reviews, Reviews › G on Wednesday, January 16th, 2019
Pummeling old school hardcore meets punk straight from the genre’s birthzone (Long Island, NY) is what The Great Lie offers up on their debut EP, All Roads Lead to Where You Stand. Featuring the exclamatory holler of John Wilkes Booth’s main set of pipes Kerry Merkle, a thick rhythm section and a nasty twin guitar […]
Tags: 2019, Jay S, Review, Self-Released, Sludge Metal, The Great Lie
Posted in Reviews, Reviews › P on Tuesday, January 15th, 2019
To me, the career path of Australia’s Psycroptic has somewhat mirrored Poland’s Decapitated: 7 albums in, early career highlighted by a couple of critically acclaimed technical death metal albums, then both had a divisive vocalist change with Psycroptic moving to the Jason Pepiatt and Decapitated moving from Sauron to Cowan then a slight style shift into less tech death metal realms. Those familiar […]
Tags: 2019, E.Thomas, Prosthetic Records, Psycroptic, Review, Technical Death Metal
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, January 14th, 2019
Creating anything is hard, even if you’re a master of your craft. I don’t care if you’re Spielberg, Scorsese, Pixar, or Stephen King. You still need to take your raw, half-formed idea, and then use all of your skill, experience, judgment, and persistence to shape it into something that measures up to or surpasses your […]
Tags: 2019, Jordan Itkowitz, Melodic Death Metal, Review, Soilwork
Posted in Reviews, Reviews › N on Friday, January 11th, 2019
Earlier this year I regrettably slept on the sophomore LP from Denver outfit Necropanther. Now the impressive young band has recently dropped the first of a planned series of EP’s, each written exclusively by an individual band member, beginning with Oppression, a three song effort penned by bassist Marcus Corich. I also thought it would […]
Tags: 2019, Luke Saunders, Melodic Death Metal, Necropanther, Review, Self-Released
Posted in Reviews, Reviews › G on Thursday, January 10th, 2019
I’ll go ahead and assume that Germany’s Godskill is named after killing Gods, and not the skill said God possesses. Anyway, what we have here is a late 2018 release that is a pretty solid second album from these burly melodic death metalers. Imbuing the chunky Danish scene akin to Illdisposed, Corpus Mortale, Dawn of Disease and […]
Tags: 2018, Death Metal, E.Thomas, Godskill, MDD Records, Melodic Death Metal, Review
Posted in Reviews, Reviews › A on Wednesday, January 9th, 2019
Plowing their way through England’s Midlands since ’05, The Atrocity Exhibit provides a drippy, gooey take on punk-riddled sludge-grind that feels distinctly, well, English. There’s a scuzzy take on this genre here that could only come from the UK and it’s a sound purveyed by killer fairly recent bands like Among the Missing, Mistress and […]
Tags: 2019, Death Metal, Grindcore, Jay S, Review, The Atrocity Exhibit, Wooaaargh Records
Posted in Reviews, Reviews › F on Tuesday, January 8th, 2019
Upstate New York’s Foaming At The Mouth have been kicking it around for 5 years. They’re listed as in the Adirondacks, but we all know Kyle lives in Antarctica-no fooling this guy. The 2 piece is comprised of Internal Bleeding’s, Kyle Eddy on drums/vocals and Jeff Leifer on guitars/vocals. Writhing is their labor of love […]
Tags: 2018, Death Metal, Foaming at the Mouth, Frank Rini, Review, Self-Released
Posted in Reviews, Reviews › W on Monday, January 7th, 2019
Sacramento’s Wurm Flesh is Comatose Music’s latest signing (at the writing of this review), and they are exactly what you would expect from Comatose Music in 2018/19; no frills, brutal death metal that sticks rigidly to the label’s formula and delivers the goods, nothing more, nothing less. Samples? Check. Something awful happening to a naked chick on the […]
Tags: 2018, Brutal Death Metal, Comatose Music, E.Thomas, Review, Wurm Flesh
Posted in Reviews, Reviews › H on Tuesday, January 1st, 2019
The Heretic’s Fork (an expectedly awful medieval torture device) is one of those ‘mysterious’ bands with no bio, information, facebook, or bandcamp page, heck these guys are not even up at Metal Archives. But here is what I’m assuming is their debut album, and its 8 tracks of muddy, chaotic, dissonant brutal death metal. At 27 minutes and […]
Tags: 2018, Death Metal, E.Thomas, P2 Records, Review, The Heretic's Fork
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, December 31st, 2018
With the 7th full-length album, Ghostly White, from long-time running act, Deceased you know what you’re going to get-or do you…? I’ve followed the band for close to 3 decades now and have been a fan since the beginning. The brilliant mixture of death/thrash metal with classic metal and some NWOBHM, for me is insanely […]
Tags: 2019, Deceased, Frank Rini, Hells Headbangers, Metal, Review
Posted in Reviews, Reviews › U on Friday, December 21st, 2018
Founder and owner of now-defunct Canadian record label Blasthead records, Paul Shaw, always had an ear for good music, even if his own tech death band Hate Division was merely average. But it appears he and his Hate Division pals have a better knack for melodic death metal. With nods to Amon Amarth, Arghoslent, Helcaraxe, […]
Tags: 2018, E.Thomas, Melodic Death Metal, PRC Music, Review, Upon Ruins
Posted in Reviews, Reviews › C, Reviews › R, Reviews › S on Thursday, December 20th, 2018
This is a split cd which also includes the following bands, in addition to Sacrificial Slaughter: Coathanger Abortion and Rottenness. Mike Juliano’s HPGD label has always been one of favorite underground labels where I have discovered new and exciting bands. If you have never heard either one of these bands, this is a good place […]
Tags: 2018, Coathanger Abortion, Death Metal, Frank Rini, Horror Pain Gore Death Productions, Review, Rottenness, Sacrificial Slaughter
Posted in Reviews, Reviews › B on Wednesday, December 19th, 2018
Montreal progressive Technical Death Wizards Beyond Creation return with their third full length record Algorythm. The album opens up with a symphonic orchestration piece which is so similar to many that I almost wonder if it is even necessary. “Entre Suffrage Et Mirage” is strong enough track on its own. The musicianship of the string […]
Tags: 2018, Beyond Creation, Nick K, Review, Season of Mist, Technical Death Metal
Posted in Reviews, Reviews › J on Tuesday, December 18th, 2018
Generally speaking, average and/or mediocre albums can be quite the proverbial bitch when it comes to reviewing. Much like a dining experience that is merely decent and all around adequate, how does one go about recommending something that is just basically sufficient? Seriously, how many times have we either told someone not to go to […]
Tags: 2018, I Hate Records, JT Ripper, Kristofor Allred, Review, thrash metal
Posted in Frontpage Feature, Reviews, Reviews › S on Sunday, December 16th, 2018
Back in 2013, Germany’s Sulphur Aeon made quite a splash in the death metal genre with their churning Lovecraftian based debut album, Swallowed By the Ocean’s Tide, then followed it up with the more miasmal, Gateway to the Antisphere is 2015, an album that had lofty expectations but still grew on me. Both albums made my year-end […]
Tags: 2018, Death Metal, E.Thomas, Review, Sulphur Aeon, Van Records
Posted in Reviews, Reviews › V on Friday, December 14th, 2018
First off- Love that cover- I want that on a giant print or t-shirt. Second, Valdur has quickly released their 6th album, barely a year after their last effort, Divine Cessation, came out. How’s that for production? Third, the band appears to have swung the pendulum ever so slightly back towards their black metal roots from the pure, noisy […]
Tags: 2018, Black/Death Metal, Bloody Mountain Records, E.Thomas, Review, Valdur
Posted in Reviews, Reviews › T on Thursday, December 13th, 2018
For the last 7 years, New York’s Torturous Inception have been slinging their brand of brutal tech-slam death metal. I’ve heard smatterings of their 2013 debut, The Parable of Scorched Earth, but do not own it. It’s a good intro to their sound. 2017 began the partnership with the band and Amputated Vein Records when […]
Tags: 2018, Amputated Vein Records, Brutal Death Metal, Frank Rini, Review, Torturous Inception
Posted in Reviews, Reviews › S on Tuesday, December 11th, 2018
So imagine Mastodon got heavier instead of more progressive, added some Crowbar heft to a stoner metal backbone and were suddenly from Australia and you’d get Sydney’s Sumeru and their raucous second album, Summon Destroyer. After the intro, “Inanis Kultus” the band dive in to “The Temple”, and it’s a bit of a soft opening for the album as […]
Tags: 2018, E.Thomas, Review, Sludge Metal, Sumeru, Wormholedeath
Posted in Frontpage Feature, Reviews, Reviews › U on Monday, December 10th, 2018
Coming to proper metal age, i.e. my teenage years, during death metal’s initial ’90’s explosion not only introduced me to what would become some of the greatest music on the planet, but it also introduced me and many like-minded individuals to the fantastically macabre offerings of H.P. Lovecraft. Considering that damn near every band at […]
Tags: 20 Buck Spin, 2018, Kristofor Allred, Review, Ulthar
Posted in Reviews, Reviews › W on Friday, December 7th, 2018
On Weak Aside’s last album, The Next Offensive, I had to go after the band’s lackluster moniker as the everything was else was so damn solid. This time, the German warmongers are just as good as before, so I’ll go after that eyesore of an album cover…. I digress, Forward Into Darkness continues the band’s confident and […]
Tags: 2018, Death Metal, E.Thomas, FDA Records, Review, Weak Aside