Posts Tagged ‘Review’
Posted in Reviews, Reviews › F on Tuesday, January 8th, 2019
Upstate New York’s Foaming At The Mouth have been kicking it around for 5 years. They’re listed as in the Adirondacks, but we all know Kyle lives in Antarctica-no fooling this guy. The 2 piece is comprised of Internal Bleeding’s, Kyle Eddy on drums/vocals and Jeff Leifer on guitars/vocals. Writhing is their labor of love […]
Tags: 2018, Death Metal, Foaming at the Mouth, Frank Rini, Review, Self-Released
Posted in Reviews, Reviews › W on Monday, January 7th, 2019
Sacramento’s Wurm Flesh is Comatose Music’s latest signing (at the writing of this review), and they are exactly what you would expect from Comatose Music in 2018/19; no frills, brutal death metal that sticks rigidly to the label’s formula and delivers the goods, nothing more, nothing less. Samples? Check. Something awful happening to a naked chick on the […]
Tags: 2018, Brutal Death Metal, Comatose Music, E.Thomas, Review, Wurm Flesh
Posted in Reviews, Reviews › H on Tuesday, January 1st, 2019
The Heretic’s Fork (an expectedly awful medieval torture device) is one of those ‘mysterious’ bands with no bio, information, facebook, or bandcamp page, heck these guys are not even up at Metal Archives. But here is what I’m assuming is their debut album, and its 8 tracks of muddy, chaotic, dissonant brutal death metal. At 27 minutes and […]
Tags: 2018, Death Metal, E.Thomas, P2 Records, Review, The Heretic's Fork
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, December 31st, 2018
With the 7th full-length album, Ghostly White, from long-time running act, Deceased you know what you’re going to get-or do you…? I’ve followed the band for close to 3 decades now and have been a fan since the beginning. The brilliant mixture of death/thrash metal with classic metal and some NWOBHM, for me is insanely […]
Tags: 2019, Deceased, Frank Rini, Hells Headbangers, Metal, Review
Posted in Reviews, Reviews › U on Friday, December 21st, 2018
Founder and owner of now-defunct Canadian record label Blasthead records, Paul Shaw, always had an ear for good music, even if his own tech death band Hate Division was merely average. But it appears he and his Hate Division pals have a better knack for melodic death metal. With nods to Amon Amarth, Arghoslent, Helcaraxe, […]
Tags: 2018, E.Thomas, Melodic Death Metal, PRC Music, Review, Upon Ruins
Posted in Reviews, Reviews › C, Reviews › R, Reviews › S on Thursday, December 20th, 2018
This is a split cd which also includes the following bands, in addition to Sacrificial Slaughter: Coathanger Abortion and Rottenness. Mike Juliano’s HPGD label has always been one of favorite underground labels where I have discovered new and exciting bands. If you have never heard either one of these bands, this is a good place […]
Tags: 2018, Coathanger Abortion, Death Metal, Frank Rini, Horror Pain Gore Death Productions, Review, Rottenness, Sacrificial Slaughter
Posted in Reviews, Reviews › B on Wednesday, December 19th, 2018
Montreal progressive Technical Death Wizards Beyond Creation return with their third full length record Algorythm. The album opens up with a symphonic orchestration piece which is so similar to many that I almost wonder if it is even necessary. “Entre Suffrage Et Mirage” is strong enough track on its own. The musicianship of the string […]
Tags: 2018, Beyond Creation, Nick K, Review, Season of Mist, Technical Death Metal
Posted in Reviews, Reviews › J on Tuesday, December 18th, 2018
Generally speaking, average and/or mediocre albums can be quite the proverbial bitch when it comes to reviewing. Much like a dining experience that is merely decent and all around adequate, how does one go about recommending something that is just basically sufficient? Seriously, how many times have we either told someone not to go to […]
Tags: 2018, I Hate Records, JT Ripper, Kristofor Allred, Review
Posted in Frontpage Feature, Reviews, Reviews › S on Sunday, December 16th, 2018
Back in 2013, Germany’s Sulphur Aeon made quite a splash in the death metal genre with their churning Lovecraftian based debut album, Swallowed By the Ocean’s Tide, then followed it up with the more miasmal, Gateway to the Antisphere is 2015, an album that had lofty expectations but still grew on me. Both albums made my year-end […]
Tags: 2018, Death Metal, E.Thomas, Review, Sulphur Aeon, Van Records
Posted in Reviews, Reviews › V on Friday, December 14th, 2018
First off- Love that cover- I want that on a giant print or t-shirt. Second, Valdur has quickly released their 6th album, barely a year after their last effort, Divine Cessation, came out. How’s that for production? Third, the band appears to have swung the pendulum ever so slightly back towards their black metal roots from the pure, noisy […]
Tags: 2018, Black/Death Metal, Bloody Mountain Records, E.Thomas, Review, Valdur
Posted in Reviews, Reviews › T on Thursday, December 13th, 2018
For the last 7 years, New York’s Torturous Inception have been slinging their brand of brutal tech-slam death metal. I’ve heard smatterings of their 2013 debut, The Parable of Scorched Earth, but do not own it. It’s a good intro to their sound. 2017 began the partnership with the band and Amputated Vein Records when […]
Tags: 2018, Amputated Vein Records, Brutal Death Metal, Frank Rini, Review, Torturous Inception
Posted in Reviews, Reviews › S on Tuesday, December 11th, 2018
So imagine Mastodon got heavier instead of more progressive, added some Crowbar heft to a stoner metal backbone and were suddenly from Australia and you’d get Sydney’s Sumeru and their raucous second album, Summon Destroyer. After the intro, “Inanis Kultus” the band dive in to “The Temple”, and it’s a bit of a soft opening for the album as […]
Tags: 2018, E.Thomas, Review, Sludge Metal, Sumeru, Wormholedeath
Posted in Frontpage Feature, Reviews, Reviews › U on Monday, December 10th, 2018
Coming to proper metal age, i.e. my teenage years, during death metal’s initial ’90’s explosion not only introduced me to what would become some of the greatest music on the planet, but it also introduced me and many like-minded individuals to the fantastically macabre offerings of H.P. Lovecraft. Considering that damn near every band at […]
Tags: 20 Buck Spin, 2018, Kristofor Allred, Review, Ulthar
Posted in Reviews, Reviews › W on Friday, December 7th, 2018
On Weak Aside’s last album, The Next Offensive, I had to go after the band’s lackluster moniker as the everything was else was so damn solid. This time, the German warmongers are just as good as before, so I’ll go after that eyesore of an album cover…. I digress, Forward Into Darkness continues the band’s confident and […]
Tags: 2018, Death Metal, E.Thomas, FDA Records, Review, Weak Aside
Posted in Reviews, Reviews › D on Wednesday, December 5th, 2018
In what has already been an unbelievably busy year for technical, brutal death metal, it has been almost impossible to keep up. With so many bigger releases this year like: Hate Eternal, Morbid Angel, Deicide, Aborted, and Monstrosity ( Just to name a few). It would be quite easy to miss out a lot of […]
Tags: 2018, Apostasy Records, Deadborn, Death Metal, Nick K, Review
Posted in Frontpage Feature, Reviews, Reviews › G on Sunday, December 2nd, 2018
A staple and standout in the tech death metal scene since 2005s Neurotripsicks, France’s Gorod have delivered 5 albums of superb technical, yet playful and catchy death metal. And I’ll admit that I was a little concerned about the band switching to their own label, Overpowered Records, for album number 6, as this might indicate […]
Tags: 2018, E.Thomas, Gorod, Overpowered Records, Review, Technical Death Metal
Posted in Reviews, Reviews › M on Friday, November 30th, 2018
Swiss djent/progressive deathcore act Mycelia are new to me, even with 4 albums under their belt, but their quirky take on staggering Meshuggah ish heft and polyrhythmic density has me impressed. And by quirky I don’t mean annoying Arsonists Get all the Girls synth injections or dance beats, but a love of classic movies and jazz mixing with the expected stuttering, […]
Tags: 2018, E.Thomas, Eclipse Records, Mycelia, Progressive Metal/Djent, Review
Posted in Reviews, Reviews › P on Wednesday, November 28th, 2018
Long Island’s Pyrexia return with their 5th long player and with a host of new cast members how can CEO, Owner, Manager, Founding member, guitarist, Chris Basile keep it together, you ask? Well the bastid does and I’ve known Mr. Basile for quite a long time, but he is a riff machine. Let’s bring in […]
Tags: 2018, Death Metal, Frank Rini, Pyrexia, Review, Unique Leader Records
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, November 26th, 2018
When you deliver an debut album that arguably reinvigorated melodic death metal in 2004s A Celebration Guilt, expectations tend to pile on and pile up, and despite a Children of Bodom like trajectory, founder and brainchild James Malone has largely responded well with subsequent albums, maybe with the exception of 2010s more rock based Starve for the […]
Tags: 20018, Agonia Records, Arsis, E.Thomas, Melodic Death Metal, Review
Posted in Reviews, Reviews › S on Friday, November 23rd, 2018
It is no secret my love of the releases of Everlasting Spew Records knows no bounds. They continue to put out incredible release after incredible release. This might be one of their best ones of the year. International Super group Serocs puts on a literal clinic with their 2018 release The Phobos/Deimos Suite. Where to […]
Tags: 2018, Death Metal, Everlasting Spew Records, Nick K, Review, Serocs
Posted in Reviews, Reviews › J on Wednesday, November 21st, 2018
Full disclosure- I’ve completely lost interest in Between the Buried and Me. Starting with The Great Misdirect, I just haven’t got into the material and I’m less thrilled with each release. I own the Parallax duo and Coma Ecliptic , but frankly I have net even given them a full listen and I don’t even own […]
Tags: 2018, E.Thomas, Journal, mathcore, Progressive Metal, Review, Self-Released, technical metal
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, November 19th, 2018
The death metal scene was abuzz when Paradise Lost‘s Nick Holmes was announced as the new vocalist for Swedish Death metal super group Bloodbath.. The resultant album, The Grand Morbid Funeral was solid, but certainly nothing compared to the band’s first two Akerfeldt and Peter Tagtgren fronted, classic releases. Well, Holmes is back, and is […]
Tags: 2018, Bloodbath, E.Thomas, Peaceville Records, Review
Posted in Reviews, Reviews › P on Friday, November 16th, 2018
The debut EP from Milwaukee’s Prezir , Contempt, was a solid black/death metal assault, but I’d expect no less from a project that includes Rory Heikkila from Shroud of Despondency on guitar ,vocalist Luka Đorđević from epic Tolkien death metal act Khazaddum, and has since added Milwaukee scene veteran Jerry Hauppa from Concentric, Northless and Ara on bass. And on the band’s full length debut, […]
Tags: 2018, E.Thomas, Godz Ov War Productions, Prezir, Review
Posted in Reviews, Reviews › A on Wednesday, November 14th, 2018
Earlier this year, I reviewed a group called Inexorum which in my opinion is one of the best u.s melodic black metal albums of the year. The songwriting and production is absolutely outstanding and if you have not checked them out. Please do. Now, on to Antiverse. Antiverse features two members of Inexorum, Carl Skildum […]
Tags: 2018, Antiverse, Nick K, Review, Seeing Red Records
Posted in Frontpage Feature, Reviews, Reviews › H on Monday, November 12th, 2018
After locking into their sound on 2005’s I. Monarch, Erik Rutan and Hate Eternal have delivered 4 damn fine albums of American death metal that’s one of the more solid discographies of the last decade or so. And with the addition of drummer Hannes Grossman (Alkaloid, ex Necrophagist) on drums to Rutan and JJ Hrubovcak (on his […]
Tags: 2018, E.Thomas, Hate Eternal, Review, Seasons of Mist