Posts Tagged ‘Review’
Posted in Reviews, Reviews › D on Tuesday, January 24th, 2017
Ah, my first review of 2017 and I am honored for it to be in critique of Thanatopsis, the second full length album from Oklahoma City’s Dischordia. I had intended for this review to be in before the close of the year but unfortunately, the holiday season and long overtime hours were not very conducive […]
Tags: 2017, Discordia, Kristofor Allred, Review, Rogue Records America
Posted in Reviews, Reviews › O on Monday, January 23rd, 2017
Here is one of those releases that makes me pull my hair out. I got the promo late, after my year end list was almost complete, and it’s good enough that it was on and off my 2016 year list, but ultimately barely didn’t make it, and now whenever I listen to it, I wish […]
Tags: 2016, Broken Limbs Recordings, E.Thomas, Our Place of Worship is Silence, Review
Posted in Reviews, Reviews › C on Friday, January 20th, 2017
We are in that weird time of the metal press cycle where I am are still filtering through late 2016 releases and starting to get inundated with 2017 releases, which is a shame as 2016 still has some gems that needed to be heard and covered. One such release is the second release from Virginia’s […]
Tags: 2017, Construct of Lethe, E.Thomas, Review, Self-Released
Posted in Reviews, Reviews › H on Friday, January 20th, 2017
As a big fan of Andi Macht’s lead guitar firestorms in German dirt doom kings Black Wasteland, I was all ears to find out he moonlights as bassist for ruthless punk/thrash/old school black metal bastards Hellburst. If Celtic Frost, Saviours, Hellshock, Venom, Discharge and BL’AST had a mutant six-headed baby baptized in an amniotic […]
Tags: 2017, Argh Fuck Kill! Records, Hellburst, Jay S, Review
Posted in Reviews, Reviews › N on Thursday, January 19th, 2017
Speaking for myself and when listening to metal, I look for the energy, speed and aggression, well most of the time, there’s also time for nuance and subtleties in the darkness but still nothing is quite like in your face aggression, speed and bombast. Spain’s Noctem have been on my radar for a bit, I […]
Tags: 2017, Noctem, Prosthetic Records, Review, Will 'Bones' Lee
Posted in Reviews, Reviews › G on Wednesday, January 18th, 2017
Gastropode is probably French for slugs and snails, or perhaps more general univalve animals, because it is almost exactly the same word as Gastropod which, as a struggling Zoology major, I know for a god damned fact includes slugs and snails. I could Google it, of course, but I just don’t think knowing for certain […]
Tags: 2016, Bizarre Leprous Productions, Chris S, Gastropode, Review
Posted in Reviews, Reviews › S on Tuesday, January 17th, 2017
When Soulburn reformed in 2014, I was pleasantly surprised at their return album after 16 years, namely The Suffocating Darkness. To this day is still one of my all time favorite blackened death/doom albums and yes I have heard all the great albums and own most from 30 years prior. Soulburn incorporated alot more black […]
Tags: 2016, Century Media Records, Frank Rini, Review, Soulburn
Posted in Frontpage Feature, Reviews, Reviews › A on Sunday, January 15th, 2017
Aided by the whimper of Whitechapel’s Mark of the Blade, once the genre’s flagbearer, deathcore appears to be on a hard downswing. Even for me, a staunch fan of the genre, other than a hand full of EPs (Falsifier, Pathways) little has really blown me away recently or even over the last year or so. But here […]
Tags: 2017, Aversion's Crown, E.Thomas, Nuclear Blast Records, Review
Posted in Reviews, Reviews › F on Friday, January 13th, 2017
Boy Comatose Music have had a busy year! With releases like Neurogenic Dehumanized, Desecrate the Faith and Blasphemer (to name a few) it has already been a solid and consistent run of brutal death metal. Adding to their catalog is the 2nd studio album from Minnesota’s Face of Oblivion. Cataclysmic Desolation is a transitional […]
Tags: 2016, Comatose Music, Face of Oblivion, Nick K, Review
Posted in Reviews, Reviews › H on Thursday, January 12th, 2017
I have it on good authority from some Minnesota pals, that Hate Beast are a well respected, rising band on the Minneapolis scene. And I have no issue with that intel, but if I’m being honest Hate Beast are not doing a lot for me. First off, if you are called Hate Beast, I expect something […]
Tags: 2016, E.Thomas, Hate Beast, Review, Self-Released
Posted in Reviews, Reviews › W on Wednesday, January 11th, 2017
Guitarist/vocalist/mastermind Aaron Lewis has culled Connecticut doom cult When the Deadbolt Breaks into his own singular backwoods, backwater doom vision for over a decade now (he’s also been in Cable and Thunderhoof and currently has the smokin’ Buzzard Canyon goin’ full swing). I’ve had the pleasure of opening for Deadbolt twice, including a devastating show […]
Tags: 2016, FuzzTown Records, Jay S, Review, When the Deadbolt Breaks
Posted in Reviews, Reviews › E on Tuesday, January 10th, 2017
Despite coverage of this long running Polish act’s last two albums right here at TOTD, I have never heard this band’s take on synth laden, progressive doom/death/black metal. While researching and reading the promo materials, I see Opeth name dropped quite a bit, and to some extent there is some Opeth in here with light […]
Tags: 2016, E.Thomas, Eternal Deformity, Review, Temple of Torturous
Posted in Reviews, Reviews › H on Monday, January 9th, 2017
In their short existence, Malaysia’s Humiliation have released a ton of material. Pretty much an album every year coupled with numerous split 7″ releases on a yearly basis. With Honourable Discharge being the 7th full length in the Humiliation war camp you know what they bring by now. Concentrating on heavy, meaty riffs and […]
Tags: 2016, Brutal Art Records, Frank Rini, Humiliation, Review
Posted in Reviews, Reviews › D on Thursday, January 5th, 2017
2011 saw the release of Disma’s debut album, Towards the Megalith, which, for me, is one of the finest death metal albums. Combining brutal death metal, with a fair amount of doom-death and a heaviness that most bands dream of but never achieve. Disma’s debut mostly contained reworked demo/7” songs, so I am looking forward […]
Tags: 2017, Disma, Frank Rini, Necroharmonic Records, Review
Posted in Reviews, Reviews › A on Wednesday, January 4th, 2017
Now definitely mark this one down as a surprise. After jamming the hell out of 2016s God’s Hate and Eternal Sleep, it has been a killer year for down-tuned, groovy, angry-ass hardcore. Well then while traipsing through the queue here at Teeth I ran across an EP from a band called The Apex, and it was […]
Tags: 2016, Kevin E, Review, Self-Released, The Apex
Posted in Reviews, Reviews › R on Tuesday, January 3rd, 2017
I still feel bad about the review I gave Krypts a while back, especially considering how consistent and brilliant Dark Descent Records has been over the years. So I decided to go back and check out the label’s other late 2016 release from US sort of super group, Ruinous. Formed by a trio of guys who […]
Tags: 2017, Dark Descent Records, E.Thomas, Review, Ruinous
Posted in Reviews, Reviews › A on Tuesday, January 3rd, 2017
England’s Anaal Nathrakh have been kicking the snot out of extreme metal fans worldwide, since the late 90’s. I was late to their camp, due to the impossibility of being able to afford every release. Thanks to Graham Landers, from Deepsend Records, for recommending them to me some years ago. I remember getting a Christmas […]
Tags: 2017, Anaal Nathrakh, Frank Rini, Metal Blade Records, Review
Posted in Reviews, Reviews › S on Friday, December 23rd, 2016
When Dan Swano says “One of the best SweDeath projects I have come across in 20 years. The perfect blend of all the highlights from the Swedish scene from 89 to 91. Truly awesome!”, I buy instantly and listen later. And having mastered this release from Sentient Horror (with mixing assistance from Damian Herring of Horrendous), […]
Tags: 2016, E.Thomas, Review, Sentient Horror, Testimony Records
Posted in Reviews, Reviews › D on Thursday, December 22nd, 2016
My buddy Hassan Amin, vocalist for the almighty grind lords Multinational Corporations always turns me onto cool new bands. Props brother Hassan! Death by Fungi is a hardcore/punk/crossover unit hailing from India and their debut 4-track EP In Dearth Of scratches several of my extreme musical itches all at once, gettin’ my leg kicking in […]
Tags: 2016, Death By Fungi, Jay S, Review, Self-Released
Posted in Reviews, Reviews › E on Wednesday, December 21st, 2016
Back in my early reviewing days, I was all over ‘beauty and the beast’ metal; gloomy goth/doom death metal mixing death metal vocals and angelic female vocals. The likes of Thalarion, The Gathering, Lacuna Coil, To Elysium, Tragodia, Beseech, Draconian, Seventh Moon, The Provenance, Alas and such were my jams. A couple of bands recently […]
Tags: 2016, Art Gates Records, End My Sorrow, Review
Posted in Frontpage Feature, Reviews, Reviews › P on Monday, December 19th, 2016
Back in 2009 Long Island’s Painted In Exile released a killer 3 song EP called Revitalized. Riding the popularity of bands like of Between the Buried and Me, Protest the Hero, The Human Abstract, Periphery, Born of Osiris etc, the band was a experimental fusion of shredding metalcore, deathcore, mathcore, jazz, prog metal and even […]
Tags: 2016, E.Thomas, Painted In Exile, Review, Self-Released
Posted in Reviews, Reviews › B on Friday, December 16th, 2016
I usually know exactly what I am getting with any Comatose albums sent to me for review. But whoa, I wasn’t expecting the sheer nastiness and brutality that Ritual Theophagy, the second album from Italy’s Blasphemer dropped on me. Despite being familiar with plenty of other brutal Italian death metal like Logic of Denial, Hour of Penance, […]
Tags: 2016, Blasphemer, Comatose Music, E.Thomas, Review
Posted in Reviews, Reviews › B on Thursday, December 15th, 2016
Having never heard Burial Hordes before, I wasn’t exactly sure on what to expect from this Greek four-piece and their latest EP release, Extinction. Just going off of the band’s moniker alone, I didn’t figure the guys were employing a form of power metal, stoner, ambient, or anything of an experimental nature as much as […]
Tags: 2016, Burial Hordes, Folter Records, Kristofor Allred, Review
Posted in Reviews, Reviews › M on Wednesday, December 14th, 2016
Most releases I get sent for review nowadays are produced by a team of big name folks, mixed and mastered by a big name superstar and all done with pro tools and such. Not with the case of Mur, the one man atmospheric/folk black/doom project of Cam Sather. His third album, Heartworn was recorded in […]
Tags: 2016, E.Thomas, Fragile Branch Recordings, Mur, Review
Posted in Reviews, Reviews › J on Tuesday, December 13th, 2016
Bloodlet/Hope and Suicide alumni Scott Angelacos and Tom Crowther have been insanely busy with music lately. As a huge fan of Bloodlet since The Seraphim Fall came out, I couldn’t be a happier 34 year old hate bastard fucker. On top of the release of the pure Floridian sludge classic Hollow Leg’s Crown, which also […]
Tags: 2016, A389 Recordings, Jay S, Junior Bruce, Review