Posts Tagged ‘Review’
Posted in Reviews, Reviews › G on Thursday, April 6th, 2017
After 2 fine albums on Les Acteurs de l’Ombre Productions in 2012s Al Azif, and 2014s Teliki-Li, I was curious how this fast rising Lovecraft themed black metal act would fare after the jump to the big leagues on Season of Mist. Well, after a while to grasp the effort, it seems the result is a […]
Tags: 2017, E.Thomas, Review, Season of Mist, The Great Old Ones
Posted in Reviews, Reviews › C on Tuesday, April 4th, 2017
Condition Critical hail from New Jersey band and play a brutal form of thrash metal. They do have some death metal elements with some snarled vocal tones every so often and some of the riffs, but by and large they’re thrash. They have been essentially nicknamed and aptly so, Demolition Hammer Jr. Due to Demolition […]
Tags: 2017, Condition Critical, Frank Rini, Marquee Records, Review
Posted in Reviews, Reviews › F on Monday, April 3rd, 2017
Maine’s Falls of Rauros improved greatly from their 2011 debut, The Light That Dwells in Rotten Wood, to 2014s Believe in No Coming Shore, which made my 2014 year end list. And now with album number four, I feel these guys have absolutely reached elite status, as Vigilance Perennial, isn’t just going to be on my […]
Tags: 2017, Bindrune Recordings, E.Thomas, Falls of Rauros, Review
Posted in Reviews, Reviews › B on Friday, March 31st, 2017
I’ve been listening to France’s Benighted ever since I reviewed 2004s Insane Cephalic Production for Digitalmetal.com and it blew me away. And it struck me as I prepared for this review that the band is 8 albums and 17 years into their career and all the albums are simply killer (how many current, active death […]
Tags: 2017, Benighted, E.Thomas, Review, Season of Mist
Posted in Reviews, Reviews › M on Thursday, March 30th, 2017
Living around the Pittsburgh area means the spoils of heavy, overcast riff rock are always within my reach. The area around me seems to be thriving harder than ever in terms of punishing rock n’ roll groove and here to set that example in concrete is Monolith Wielder. This mutinous crew of scene vets aren’t […]
Tags: 2017, Argonauta Records, Jay S, Monolith Wielder, Review
Posted in Reviews, Reviews › N on Wednesday, March 29th, 2017
Man, Season of Mist are consistent in their ability to find amazingly diverse artists to add to their roster. Nidingr’s Third Full length record The High Heat Licks Against Heaven is another prime example of Season of Mist being able to deliver amazing releases. Teloch and company continue to develop their unique style of perverted […]
Tags: 2017, Nick K, Nidingr, Review, Season of Mist
Posted in Reviews, Reviews › C on Tuesday, March 28th, 2017
California’s Condemned are back after 6 long years with their 3rd brutal offering, His Divine Shadow. Original member, guitarist, Steve Crow, had to replace a lot of members years ago. I saw them live on their tour with Wormed, and Cognitive, a few years back and they ripped the place apart. Guest vocalist, at the […]
Tags: 2017, Condemned, Frank Rini, Review, Unique Leader Records
Posted in Frontpage Feature, Reviews, Reviews › C on Monday, March 27th, 2017
As I stated in my review of 2015s Forensic Nightmares, it would be easy to simply look at Cut Up as Vomitory 2.0, seeing as the band is comprised of 3/4 ex Vomitory members (drummer Tobias “Tobben” Gustafsson, guitarist Anders Bertilsson, and vocalist/bassist Erik Rundqvist), and you know what? When it’s this solid, that’s perfectly OK. Still delivering the […]
Tags: 2017, Cut Up, E.Thomas, Metal Blade Records, Review
Posted in Reviews, Reviews › A on Friday, March 24th, 2017
Whoa! Here is a stunning little 4 song EP from Spain’s Aversio Humanitas (Aversion to Humanity) a completely new band to me, but hopefully one I will be hearing more from in the future. The Madrid trio has one full length debut and some splits/EPs under their belt, but this should be the release that gets […]
Tags: 2017, Aversio Humanitatis, BlackSeed Productions, E.Thomas, Review
Posted in Reviews, Reviews › D on Friday, March 24th, 2017
Black Bow Records strike again with another coffin slab of night black madness, this time with London’s sludge-coated, blackened d-beaters Deadwound. Identity Shapes is the band’s debut; five cuts of internal organ rearranging madness with unorthodox structures, melodies and madness. The clearly picked lead licks have a weird Duane Denison tonality (Jesus Lizard, Tomahawk, etc.) […]
Tags: 2017, Black Bow Records, Deadwound, Jay S, Review
Posted in Reviews, Reviews › D on Thursday, March 23rd, 2017
I’m not sure what’s worse; that I know exactly what this is going to sound like before I it play or that I’m still going to enjoy it. I mean is there a label that has a more predictable output that Comatose Records? And I mean that in a good way. You know exactly what […]
Tags: 2017, Comatose Music, Desecrate the Faith, E.Thomas, Review
Posted in Reviews, Reviews › S on Wednesday, March 22nd, 2017
Usually when perusing the promo portal I skip over reissues and re-releases to focus my attention on new stuff. However, upon discovering Willowtip records was repackaging the three full-length albums from UK’s highly innovative extreme metal duo Slugdge and dubbing it The Cosmic Cornucopia, I couldn’t resist the opportunity to delve in and spread the […]
Tags: 2017, Luke Saunders, Review, Slugdge, Willowtip Records
Posted in Reviews, Reviews › L on Tuesday, March 21st, 2017
Finland’s 2 piece monstrosity, Lantern, return with their second abum, II: Morphosis, after four years since their debut, Below. If you’re lucky enough to have the Subterranean Effulgence ep, in your collection, consider yourself lucky, it’s a great release. Opening with “Black Miasma”, I am noticing some Dark Throne type of sounds going on here. […]
Tags: 2017, Dark Descent Records, Frank Rini, Lantern, Review
Posted in Frontpage Feature, Reviews, Reviews › M on Monday, March 20th, 2017
Those following this project know that Memoriam is a UK death metal super group of sorts born of sadness, loss and friendship. With the passing of Bolt Thrower drummer Martin “Kiddie” Kearns in 2015 and the death of Benediction’s Frank Healy’s father just 3 weeks later, former members of both bands came together to form a cathartic […]
Tags: 2017, E.Thomas, Memoriam, Nuclear Blast Records, Review
Posted in Reviews, Reviews › R on Friday, March 17th, 2017
I’ve been keeping tabs on this Minnesota act since the demise of With Dead Hands Rising, one of the oos early and better deathcore/metalcore acts, as they feature some former WDHR members. And finally they have released a follow up to 2014s self released debut, Poison of the Earth, and it’s quite the follow up. […]
Tags: 2017, E.Thomas, Prosthetic Records, Reaping Asmodiea, Review
Posted in Reviews, Reviews › B on Thursday, March 16th, 2017
Released in 2015, England’s pissed off metal crew Bloodyard and their second EP Darker Rage is just making the review rounds now since they’re fresh off a festival appearance. Word has it that they are prepping a brand new release and there’s always excitement to be had whenever you discover a band that you’ve never […]
Tags: 2017, Bloodyard, Jay S, Review, Self-Released
Posted in Reviews, Reviews › F on Wednesday, March 15th, 2017
So in a recent mail package from the always reliable FDA records, I got the promos for the new Rude and Wound albums, and you’d think that in itself would be enough reason to be excited. However, tucked away in the package was a CD from a band called FUBAR, a band I was not […]
Tags: 2017, E.Thomas, FUBAR, Review
Posted in Reviews, Reviews › T on Tuesday, March 14th, 2017
Patrik Svendsen, vocalist and guitarist for Norway’s Tonic Breed recently contacted Erik from TOTD to request I review their Outsold Album. Erik passed along the information and before long Patrik and I were in communication and he graciously sent me their debut album, On The Brink of Extinction and Outsold, their newest album. No offense […]
Tags: 2017, Frank Rini, Review, Self-Released, Tonic Breed
Posted in Frontpage Feature, Reviews, Reviews › O on Monday, March 13th, 2017
Ever since Metallica’s infamous 1991 album, self titled albums have always made me a bit leery. They always seem to scream sell out, contract out out or flat out of ideas. Throw in the simple ‘just our logo’ cover, the 10th album, and a song from a prior stopgap EP, and my spidey sense is […]
Tags: 2017, E.Thomas, Obituary, Relapse Records, Review
Posted in Reviews, Reviews › L on Friday, March 10th, 2017
The last couple of years have seemed like a long haul for Columbus, Ohio’s endlessly touring hard rockers Lo-Pan. My pal and the band’s longtime riff machine Brian Fristoe was a hard loss to swallow and his departure was the first time I doubted the boys’ decisions. Putting aside my own friendships with the group […]
Tags: 2017, Aqualamb Records, Lo-Pan, Review
Posted in Reviews, Reviews › S on Thursday, March 9th, 2017
I vaguely remember seeing these guys pop up on my Facebook feed a year or so ago for the video for “Possessed“. I recall the fairly average metalcore, but loving the female vocals and keyboards of Aimy Miller. So when this promo showed up, I have to admit along with Miller, it was morbid curiosity […]
Tags: 2017, Artery Recordings, E.Thomas, Review, She Must Burn
Posted in Reviews, Reviews › E on Wednesday, March 8th, 2017
If anything could be said about Epoch, it would have to be the fact that the band is a bit of a mystery. Being wholly unfamiliar with the group or its sole album Sacrosanct, (originally a digital only release in 2015; now seeing a physical release this year, via Lavadome Productions) I tried to do […]
Tags: 2017, Epoch, Kristofor Allred, Lavadome Productions, Review
Posted in Reviews, Reviews › G on Tuesday, March 7th, 2017
Toxic, polluted scum sludge from the UK usually always meets or exceeds my expectations and this brain-rotted quintet from Portsmouth serve up just the kind of humanity hatin’ nihilism that I can always get behind. After a corrosive EP, Grim Ravine drops an LP with just as many tracks. The Light is from Below is […]
Tags: 2017, Black Bow Records, Grim Ravine, Jay S, Review
Posted in Reviews, Reviews › G on Monday, March 6th, 2017
Finland’s Gorephilia return with their second full-length album, after 5 years. Their first official release was the outstanding Ascend to Chaos ep in 2011, which they bested a year later with their debut album, Embodiment of Death. Severed Monolith has a very Morbid Angelish sound to it. I am reminded of Morbid’s Blessed are the […]
Tags: 2017, Dark Descent Records, Frank Rini, Gorephilia, Review
Posted in Reviews, Reviews › D on Friday, March 3rd, 2017
Thrash in Santa Cruz?!? Who would have thought, but I jest. Those that are aware of their geography know the proximity of Santa Cruz to the bay area in Calif. Hallowed ground for many a metal group, so there is plenty of likelihood of seepage and runoff of all that is Metallica, Exodus, Testament, Death […]
Tags: 2017, Dead War, Horror Pain Gore Death Productions, Review, Will 'Bones' Lee