So we have a one man band called Ov Hollowness from Canada, on a label called Hypnotic Dirge Records, with long songs and titles like “Desolate”, “Winds Forlorn”, and “Drone”. I’ll give you one guess as to what style of music this is. Emocore. Just kidding. The best (in my opinion of course) of Hypnotic […]

Reviewing a Christian metal album is always like swimming in shark tank with a chum jockstrap on. Well…IT’S FEEDING TIME BOYS!!! But I try to stay the course and be objective as I can, and most readers probably don’t realize that I’m actually a devout (?) atheist, so my many Christian reviews aren’t some thinly […]

Obsequiae, a duo black and bold Crafting melodies from cent’ries of old The mists of time unfurl and flicker past And echoed rasps begin their – Eh, enough of that. Writing a review in iambic pentameter is damn near impossible. These guys do a much better job with the medieval slant on their craft. Minneapolis’ […]

I’ve followed the UK’s The Belonging for a while now, from their slightly forgetful 2005 debut, Setting the Scene, to 2009’s Ashes of a Fallen Throne, where the band took an improved step into impressive blackened war metal. And now, in 2011, with their third follow up, we’ve got yet another quality self-released album. Continuing their […]

I really like what former doom merchants, Southern Lord, is doing with their crust/hardcore of late;  excellent releases from the likes of  Nails, Acephalix, Masakari, Black Breath, Planks, Summon the Crows, Sabarante, and this, the fucking blistering debut of All Pigs Must Die. Featuring Kevin Baker (The Hope Conspiracy) on vocals and Ben Koller (Converge) […]

Despite all the attention that post-rock influenced black metal or East Coast and Pacific Northwest black metal gets, there’s a few nice little unsigned, independent, more obscure USBM bands lurking in the sunny depths of California. Notably Lake of Blood and this mysterious new act, Leucosis. With only six myspace-friends and three of them notably […]

I’m not entirely sure how to describe the second, self-released album from Italy’s Laetitia In Holocaust. I mean, if the moniker and the cover art–a group of giant insects gang banging the planet earth–doesn’t clue you in the level of weirdness contained on Rotten Light, I’m not sure I can help. Falling ever so generally […]

If you need something to tide you over until Entrails‘ new album comes out later this fall, you have two solid options right now: Demonical‘s Death Infernal or the debut from Italy’s Undead Creep. Both will satiate fans of classic Swedish death metal, rendering damn fine examples of mid-range, buzzing, d-beat, Stockholm styled death metal. […]

Everything about this band and release initially screams utter pretentiousness; the moniker, the EP title, the artwork, the song titles, the horn rimmed glasses and hipster looks and the limited vinyl only release — though a mp3 download code is included. None the less, contained withing this 16-minute little gem could be the start of […]

Kansas City’s got a lot of good things going for it in terms of heavy metal these days.  Locals such as Meatshank, Vanlade, and Ancient Creation (among others) are bringing the metal proper, the latter being the subject of this review.  With the members of Ancient Creation having been involved in various heavy metal outfits […]

Ever wonder what happened to supreme death metal vocalist James Lee after his departure from Origin? Here is your answer. Lee swings the microphone with authority on The Embers of Man from Mankato, MN’s Face of Oblivion, an album on which he is also credited with lyrics. No big surprises here; just a solid tech-death […]

When I first got this EP for review, I wasn’t overly excited; rather uninspiring band name, silly EP title, from a label known for brutal death metal. Then I discover that the vocalist and founder of Mordbrand is non other than Per Boder. Yes, the same Per Boder who formed the short lived  God Macabre. […]

Man! It’s been just a killer year as far as Swedish, Stockholm styled death metal is concerned! Not only do we have 2011 releases by the likes of Brutally Deceased, Revolting, Ribspreader, Miasmal, Feral, Morbus Chron and Undead Creep, but we’ve seen reissues from Furbowl, Toxaemia, Utumno, and Uncanny too. Also, I’ve been going back and discovering other recent […]

After nine years of splits and EPs, Southern sludge stalwarts Sourvein have returned with their third full-length album Black Fangs. T-Roy and his revolving door cadre of dirt merchants have been one of the most consistent outfits in sludge and this release is exactly what fans have come to expect; tar-like riffs, subsonic bass, plodding drums […]

I love the idea that there’s such a thing as “traditional black metal”. I like the idea that tortuous tritone riffing, compulsive blast beating and hell-rasping-reports from various levels of Hell can now be wrapped in such a cuddly honorific as “traditional”. I mean, “traditional” is a word I associate with folk music, with things […]

The debut EP from Finland’s Gorephilia was a victim of circumstance. Released earlier this year around the same time and on the same label as Corpsessed‘s debut EP,  it got kind of steam rolled by The Dagger & the Chalice. Which is actually a bit of a shame as Ascend to Chaos, while certainly not […]

Try as hard as I may, I simply can’t get into California’s Gravehill and their brand of blackened thrashy death metal. Even residing on Dark Descent and featuring an ex-member of Morgion/Keen of the Crow and current members of Exhumed (Matt “Hellfiend” Harvey to be specific, whose recently reissued thrash death project, Dekapitator shares a […]

Another “super group” of sorts, World Under Blood is the product of CKY guitarist Deron Miller and skins beating journeyman Tim Yeung (Divine Heresy, Morbid Angel, ex- Decrepit Birth, ex- Agiel, etc), . Along for the ride is ex-Decrepit Birth four stringer Risha Eryavec and guitarist Luke Jaeger, who has done time in All Shall […]

Pyramido’s 2009 debut Sand was a decent, if repetitive, exercise in heavy rock sludge. Salt, their sophomore release, improves on Sand in nearly every way, featuring a wider array of influences and more variety. There’s still a problem of running riffs a little too long and the throaty, hoarse roaring vocals are at times overbearing […]

Before I get into this review I have two confessions/disclaimers to make. One – I love deathcore, and I love breakdowns even more. I think there are few things more enjoyable in the extreme metal realm. Two – I can’t stand raspy, screamy vocals. CAN’T FUCKING STAND THEM. They can ruin a promising album quicker […]

To grind or not to grind; that is the question. That question is answered by Germany’s Necromorph in the extreme affirmative, as you’ll hear within moments of the calamitous ride that is Grinding Black Zero. More Nasum than Insect Warfare and characterized by a relative degree of compositional diversity within grindcore parameters, Grinding Black Zero […]

Any decision about whether to purchase Nunslaughter’s DemoSlaughter should come down to your ability to answer one simple question. Are you a devoted fan of the long-running, rabidly anti-Christian, barbarous dealers of death? If the answer is “yes,” then you shouldn’t hesitate in picking up this comprehensive collection of songs from all six previously out […]

It’s all in good fun and Cannabis Corpse is nothing if not clever when it comes to song titles and lyrics parodying the likes of Cannibal Corpse, Morbid Angel, and Deicide. Musically, the chops have always been there, but to use the example of 2009’s The Weeding EP, the songs just weren’t all that memorable. […]

From the band’s 2004 The Miseries Never Cease EP to their self-titled, self released 2007 debut album, I’ve long championed The Living Fields as one of the most criminally unsigned bands in metal. Well, the unsigned part was rectified with the band signing with Candlelight Records, and though this album took its sweet sweet time […]

Although the kvltest of the kvlt may gnash their teeth and tear their hair, black metal has truly spread its wings since its early days. Yet no matter the subgenre – symphonic, Viking, folk, progressive, post-black, depressive/suicidal, bestial, orthodox, blackgazer, and on and on – there are certain hallmarks of the genre that remain in […]