Posts Tagged ‘Death Metal’
Posted in Reviews, Reviews › A on Tuesday, February 25th, 2020
Well here is a unique release. French death metal band Ad Vitam Infernal debuts with their first full length record Infernal Comedy. This group consists of Jerome Mahe on guitars and bass and Samuel Girard on vocals. Both of these guys program the drums. This is kind of surprising to discover writing this review as […]
Tags: 2020, Ad Vitam Infernal, Death Metal, Lavadome Productions, Nick K, Review
Posted in Reviews, Reviews › C on Friday, February 21st, 2020
Popularity and/or notoriety are definitely elusive attributes when it comes to extreme metal trying to branch out to a larger audience. Trying to build a band legacy while making an actual financial living from it is indeed the epitome of extreme metal being a ruthless and fickle bitch. What is it that gains one artist […]
Tags: 2020, Cianide, Death Metal, Hells Headbangers, Kristofor Allred, Review
Posted in Reviews, Reviews › I on Wednesday, February 5th, 2020
Do you like the Alien film franchise? I like the Alien film franchise. It’s a mixed feelings type of thing when it comes to these films. Some people like them all, some people hate them all, some people like a few and hate a few, while others couldn’t care less. Me though, I dig ’em, […]
Tags: 2020, Death Metal, Inverted Matter, Kristofor Allred, Lethal Scissor Records, Review
Posted in Reviews, Reviews › I on Friday, January 31st, 2020
If you were to ask me where Infirmity was from, based solely on their sound, I’d be hard pressed to come up with an answer. The band and their full-length debut, Descendants of Sodom, is brimming full with influential might. A journey of brutal, melodic, and even blackened tinged death metal groove, Descendants of Sodom […]
Tags: 2020, Death Metal, Infirmity, Kristofor Allred, Lost Apparition Records, Review
Posted in Reviews, Reviews › C on Wednesday, January 29th, 2020
They say imitation is the greatest form of flattery. If that’s the case Chris Reifert and Autopsy should be flattered as fuck by this German trio and their second full length album, Outcome of Obnoxious Science. If you like Autopsy and their sinewy oozing ilk like Slaugterday (also from Germany), Nailgun Massacre, Obliteration, Execration and […]
Tags: 2020, Cryptic Brood, Death Metal, E.Thomas, Review, War Anthem Records
Posted in Reviews, Reviews › P on Friday, January 24th, 2020
The last time I checked in with Indiana’s Psychomancer was 2015s Inject the Worms EP, And I wasn’t that impressed with the band’s generic and forgetful if competent American death metal. But it appears as if some HM2 boss pedals have found their way to Michigan City, Indiana as the quartet has developed what was […]
Tags: 2020, Death Metal, E.Thomas, Orchestrated Misery Recordings, Psychomancer, Review, Swedish
Posted in Reviews, Reviews › I on Wednesday, January 22nd, 2020
Infidel Reich burst on the scene in 2016 and a year later they unleashed their scorching self-titled ep and now they are back with their debut album Reichenstein which came out at the tail end of 2019 and is just a monstrous and full throttle pedal to the old school metal albums. The supergroup of […]
Tags: 2020, Death Metal, Frank Rini, Helter Skelter Productions, Infidel Reich, Punk, Review
Posted in Reviews, Reviews › M on Monday, January 20th, 2020
When Massive Assault vocalist Fredde Kaddeth reaches out to you directly, asking if he can send you Massive Assault‘s, 2 song, 7″ limited edition single for review, you say ‘yes’. Especially when you have been a fan of the band’s Dismember meet Grave Swedish styled goodness since 2012s Death Strike and 2017s Mortar. Side 1 […]
Tags: 2019, Crash Landing Records, Death Metal, E.Thomas, Massive Assault, Review, Swedish
Posted in Reviews, Reviews › D on Wednesday, January 15th, 2020
Poland’s Deivos have returned with their 6th full length album Casus Belli. I must say I was quite please and hooked with their 2017 effort Endemic Divine. Their 2019 effort follows a lot of similar elements and expands upon some. Deivos play a form of brutal, groovy technical death metal that is a bit in […]
Tags: 2020, Death Metal, Deivos, Nick K, Review, Selfmadegod Records
Posted in Frontpage Feature, Reviews, Reviews › F on Monday, January 13th, 2020
One of the more under the radar reunions of late is the reformation of Germany’s Fleshcrawl, one of the country’s early 90s death metal bands along with Morgoth (who ironically shared the same band name with Fleshcrawl at the outset) , who seemed to get the lions share of the attention. Fleshcrawl eventually settled into […]
Tags: 2019, Apostasy Records, Death Metal, E.Thomas, Fleshcrawl, Review, Swedish
Posted in Reviews, Reviews › R on Monday, January 6th, 2020
Germany’s and personal favorite Revel in Flesh return with their 5th long player and The Hour of the Avenger shows a more mature Revel in Flesh where they continue to allow their riffs to breathe a little longer. I’ve been in touch with their singer, Ralf for years now and consider him a friend. We […]
Tags: 2020, Death Metal, Frank Rini, Revel in Flesh, Review, Swedish, War Anthem Records
Posted in Reviews, Reviews › T on Monday, January 6th, 2020
Hailing from Edmonton, Canada, one might assume that Tales of the Tomb are yet another impressive act of technicality and time signature wielding wizardry, especially given that Christian Donaldson (Cryptopsy) handles the mixing and mastering of the band’s latest sophomore EP release, Volume Two: Mendacium. Yes, one might assume this solely based on our experience […]
Tags: 2020, Death Metal, Nick K, Review, Self-Released, Tales of the Tomb
Posted in Reviews, Reviews › I on Tuesday, December 24th, 2019
I was immediately intrigued by this release as it’s another symphonic/tech black/death whatever release from The Artisan Era who have already wowed me in 2019 with the likes of Singularity, Oubliette, Mordant Rapture, The Odious Construct, Warforged and such, but also that the band features former members of Council of the Fallen, one of the […]
Tags: 2019, Death Metal, E.Thomas, Immanifest, Review, Symphonic Black Metal, Technical Death Metal, The Artisan Era
Posted in Frontpage Feature, Reviews, Reviews › G on Monday, December 9th, 2019
Gatecreeper’s 2016 debut album Sonoran Deprivation, caused a bit of a stir as Relapse Records signed and released a US based death metal album after a few years of lagging behind in the death metal arena. It was a solid, near great album of Swedish styled lumbering death/doom, and the follow up, Deserted follows suite, […]
Tags: 2019, Death Metal, E.Thomas, Gatecreeper, Relapse Records
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, November 25th, 2019
Ave! Italy’s Romanic death metal warriors ADE are back with yet another new line up, another label and another quality album..despite that Dance of Death level artwork… Lone original member/founder/primary song writer Fabivs again has a whole new legion surrounding him including bassist Cornelvuis and vocalist/lyricist Diocletianvs (both formerly of Suicidal Causticity/ Oredreth), the band’s […]
Tags: 2019, ADE, Death Metal, E.Thomas, Extreme Metal Music, Review
Posted in Reviews, Reviews › E on Wednesday, November 20th, 2019
Sweet Texas watermelon! Has it been two years already? Wow…it really doesn’t seem like a couple of years have passed since Exhumed released their fan and critic praised Death Revenge, but here I am blasting my eardrums as well as my face, clean into oblivion with the aural onslaught that is Horror, Exhumed‘s seventh full-length […]
Tags: 2019, Death Metal, Exhumed, Grindcore, Kristofor Allred, Relapse Records, Review
Posted in Frontpage Feature, Reviews, Reviews › E on Monday, November 18th, 2019
Despite being the arguable top act in the Swedish death metal revival since 2010s Tales From the Morgue, I had some reservations about the band’s sixth album. Mostly due to yet another line up change surrounding founder Jimmy Lundqvist, this one involving the addition of Markus Svensson on guitars but mainly, Penki Samuelsson moving to […]
Tags: 2019, Death Metal, E.Thomas, Entrails, Metal Blade Records, Review, Swedish
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, November 11th, 2019
Hailing from Denver, Colorado Blood Incantation return with their sophomore album Hidden History of the Human Race, the follow-up to the monstrous 2016 debut, Starspawn, which I reviewed on this very site. In their existence since 2011 Blood Incantation has garnered a well-deserved reputation for their raging live show and yes live, they’re one of […]
Tags: 2019, Blood Incantation, Dark Descent Records, Death Metal, Frank Rini, Review
Posted in Reviews, Reviews › E on Wednesday, November 6th, 2019
Do you like early Asphyx? Do You like early, Drunen led, Consuming Impulse Era Pestilence? Then the always reliable FDA Records has a release for you, the full length debut from German death metal act Evoked, and it’s a scorcher of an album, despite its clear influences. Culling heavily from The Rack as well as […]
Tags: 2019, Death Metal, E.Thomas, Evoked, FDA Records, Old School, Review
Posted in Reviews, Reviews › A on Wednesday, October 30th, 2019
Admittedly, I was zero percent familiar with Aggravator and any of their previous output before their new self-titled EP. Though after spending some quality time with said EP, thanks to Unspeakable Axe Records, who have just recently re-released Aggravator after being independently released earlier this year, I will be hunting down their earlier efforts and […]
Tags: 2019, Aggravator, Death Metal, Kristofor Allred, Review, Unspeakable Axe Records
Posted in Reviews, Reviews › P on Wednesday, October 23rd, 2019
Formed at the end of the 80’s Pentacle has remained a staple in the underground death metal scene and helping to push forth the Netherlands metal scene, which is one of the best, in my opinion. With the members in various other bands and still to this day, we have Alex and Mike Verhoeven on […]
Tags: 2019, Death Metal, Frank Rini, Iron Pegasus Records, Pentacle, Review
Posted in Reviews, Reviews › C on Friday, October 18th, 2019
Well summbitch…As if I needed another reason to love Denton, Tx; here comes Creeping Death, hot off the heels of their last EP, Specter of Death, with their full-length debut, Wretched Illusions. Besides being a cool place that I’ve always had great times in, whether playing shows with my own band, scouring records shops for […]
Tags: 2019, Creeping Death, Death Metal, eOne Music, Kristofor Allred, Review
Posted in Reviews, Reviews › B on Thursday, October 3rd, 2019
What can I say about Bones and their new, and third full-length album, Diseased, that hasn’t already been said before about a few other bands; namely, the ones that seem to influence Bones and their trade of crusty and sometimes even punky, no frills, basic, bare boned death metal. If Terrorizer/Nausea meets Celtic Frost/Obituary by […]
Tags: 2019, Bones, Death Metal, Kristofor Allred, Review, Transcending Obscurity Records
Posted in Reviews, Reviews › B on Friday, September 27th, 2019
The debut from this musty, old school Swedish death metal act, What Lies Beyond, was a solid record, but none one I’ve really revisited since I purchased it. And the same can be said true of the follow up: a solid old school Swedish death metal record, but one that’s likely to get lost in […]
Tags: 2019, Bastard Grave, Death Metal, E.Thomas, Pulverised Records, Review
Posted in Reviews, Reviews › W on Tuesday, September 3rd, 2019
Virginia’s Witch-Hunt were together for 10 years from 1992-2002 and played a very early form of death metal/thrash, which eventually went towards a black metal sound towards the last few years of their existence. This anthology collection compiles the majority of their songs throughout their releases, which are: Both 1993 demo’s Born Dead and Fearless, […]
Tags: 2019, Death Metal, Frank Rini, Lost Apparitions Records, Review, Witch-Hunt